Am
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导演：
/Sarah Pia Anderson
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美貌与智慧，哪个更重要？ 这似乎是个世人永远无法解答的难题· Betty Suarez,来自皇后区的墨西哥后裔，一直以来她的梦想就是进入出版业，作一位专业传媒人士·她聪明又善良，努力又能干，但所有这些优点都被那不够出众的外表所掩盖了·不过Betty不是一般的女孩子，她不会这么轻易认输，她要带着自己的梦想向所有人证明，没有美貌一样可以闯出自己的一片天·在第一季里，Betty的出色才干已经博得了Daniel的认同，即使身边其他人还是因为她的外表而常对她冷嘲热讽，不过她已经习惯了这些无聊的事，因为她知道自己想要的是什么· 经历了一连串乱七八糟的事情之后，77mi.cc Betty的人生陷入了一片混乱·困在墨西哥的老爸，出车祸的Daniel,和别人远走的Henry,所有这一切让她快要喘不过气·是不是人生真的就要这个样子？ 不要以为只有Betty的日子不好过，美女一样也有烦恼，Amanda无意中发现了自己的真正身世，她又该怎样面对这突如其来的"惊喜"? Wilhelmina的人生主题依然是踩着别人往上爬，把自己的快乐建立在别人的痛苦之上，她是否又能如愿以偿笑到最后？ 故事越来越复杂，可爱的Betty能否游刃有余，应对自如呢？
导演：
/Shakti Soundar Rajan
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Despite qualifying for armed force, Karthik ('Jayam ' Ravi) prefers to be a traffic cop in Ooty as he believes that such a no risky job would help him get enough time to look after his cute little sister Vidhya (Baby Anikha). Karthik also has a short lived one side love story with Renu (Lakshmi Menon), who is a doctor. When a hazardous chemical in the nearby industry gets leaked, a dog consumes it and turns into a zombie. As the dog bites a watchman, he too becomes a zombie and eventually, the virus spreads rapidly across the town. Can Karthik save his sister and the city ?
导演：
/Lisa Feit
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This new documentary special is about the most intact slave shipwreck found to date and the only one for which we know the full story of the voyage, the passengers and their descendants.
导演：
/Amelia Eloisa
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Adolescence can be tough, especially for young queer people who haven’t quite figured it out. We Will Never Belong charts one teenager’s quest for the truth with style and grace. Emi has recently discovered that her mother is in love with another woman, and Emi’s not handling it well. She retreats to the community, where she was born, to stay with her father and his new family and to spend time with her maternal grandmother. Things are much less confusing at her father’s, at least until her extremely intriguing stepsister shows up. Emi soon begins to understand why her mother living her life authentically was so difficult to face. With nuanced performances and gorgeous cinematography, We Will Never Belong deals with complicated family and identity issues, and does so with incredible thoughtfulness and care.
导演：
/Ernst R. von Theumer
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二战德国纳粹余孽约瑟夫·海因里希隐居在南美热带丛林里研制生化武器，企图重建第三帝国。 阿曼达是一个纳粹猎人，她试图接近约瑟夫·海因里希并通过嫁给其侄子的方式获取其计划。 很不幸约瑟夫识破了她的身份，阿曼达惨遭杀害。 她的女儿艾丽决心为其复仇，于是在侦探卡尔的帮助下卧底潜入，最终掌握了约瑟夫邪恶计划的确凿证据并一举摧毁了他的罪恶巢穴。
导演：
/Sam Fichtner
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Hospital physician June Lowe and successful author Rick Lowe have a seemingly perfect marriage, the one sticking point between them being the issue of children. Rick wants June to give up her career so that they can start a family, and while June is not averse to the notion of children, not only does she not want to give up her career but expand into writing herself, she not understanding why Rick couldn't/shouldn't be the primary caregiver anyway in already working from home. In the process, June feels like Rick totally dismisses her feelings. When Rick receives a blackmail letter for something he totally denies as truth, June gets implicated in a double homicide. June quickly realizes that Rick is trying to frame her, he the actual murderer. As June needs to evade both Rick and the police and has no one to confide in, including her generally loving sister Maggie Porter who believes the accusations of she being a murderer, June not only has to discover why Rick killed the two victims but why he is trying to frame her. When she believes she's discovered what's going on, June enters a dangerous cat and mouse game with Rick, it not always clear who is the cat and who is the mouse.—Huggo
导演：
/约翰·斯瓦布
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Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie. They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks. Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.
导演：
/吉姆·谢里丹
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本片改编自已故爱尔兰天才作家兼画家克里斯蒂•布朗的自传体小说。 基提（丹尼尔•戴-刘易斯 Daniel Day-Lewis 饰）天生大脑麻痹身体残疾，只有左脚能灵活如常人。他没有生活自理能力，为家里带来了很大的负担，幼时总是遭到周围孩子的嘲弄，父亲险些放弃他，而母亲（布兰达•弗里克 Brenda Fricker 饰）却一直对他悉心照顾，不离不弃。基提心理苦闷却不能用语言来表达，试图用左脚写字作画，渐渐地凭借毅力和智慧，基提越来越得到认可。母亲悄悄地为基提买了轮椅，之后他又得到了艾莲医生的免费救助。在艾莲的锻炼引导下，基提的身体开始有了好转。此时基提已经爱上了艾莲。某日艾莲将基提的画推荐到了朋友的画廊展出。结束后基提向艾莲表达爱意，却被她拒绝......
导演：
/吴汉章,William Rice
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杰米和露希等六名学生受一个小岛上的葡萄庄园主人洪博士的邀请前来实习探察。虽然岛上的风光秀丽，但似乎总有一种不详的预感袭击他们的心头。虽然博士对他们尤其是女生非常体贴，可杰米依然察觉到了博士的可疑之处。偶然之下，杰米终于知道了博士的阴谋：博士在借着养殖葡萄园的名义来进行某种巫术的研究！发现事情败露的博士不甘死心，企图用巫术杀死杰米，但杰米还是幸运的逃过了一劫。可接下来，他们发现了又一个惊天秘密：博士在那所谓的葡萄园里竟埋藏着活死人！由于博士过度运用巫术而使活死人们挣脱坟墓的束缚，纷纷爬上地面饥饿般的向人群扑去！瞬间小岛就被这些恐怖的丧尸所占据，巫术的副作用也使博士的身体起了一系列的变化。原来博士在巫术的力量下已经活了500年，而法术的维持必须由女孩的新鲜血液来维持。腐臭、哀号和恐惧成了这座岛上的交响乐，他们意识到，要想在这里生存下去，就要借助巫术的力量将丧尸群再次打入死亡地狱……
导演：
/迈克尔·摩尔
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这部《罗杰和我》是Moore在89年拍的，那时候他老家密执安州的FLINT镇，因为通用汽车公司大幅裁员而全面衰败，他拍这个片子不是为了拯救他们镇，而是拿来质问大企业，用事实撕开他们的正人君子的假象。罗杰是Roger Smith，当时通用汽车的大头头。 一部非常成功的记录片，非常流畅，不像别的片子，你可以随时按下“暂停”去接个电话或者把烧开水的灶关了。这种一气呵成的节奏，让人觉得片子一点儿也不烦闷，看得很有情绪。 Moore一直在找罗杰，但是罗杰根本就不给他机会见着、其实也根本不在乎他，于是全片就一直在Moore的“追访罗杰”的情节下被贯穿起来。虽然他最后终于在某次活动里终于让罗杰曝了光，对方还是没有说出来啥，但是这已经足够了。 另外两个连贯全片的人物，一个是负责EVICTION的政府代理人，另一个是普通的养家畜为生的下岗女工。EVICTION这份工作，以前在一部荷兰电影《CHARACTER》里面见过，像我们在红旗下长大的都难以想象的职业，就是把拖欠房租的家庭，从房子里“逐出”。听起来像两三百年前工业革命那年头的事儿吧？其实这活儿一直都存在着。那老兄一贯穿着风衣但是没法儿像发哥那么酷，是个有点儿臃肿的中年黑人，他不说什么狠话，只是事务性地安排下岗缴不出房租的人搬走。有的家人大吵大闹，他也是很低调地等人消气了再说一句，“你碰上了我算你的福气，起码还有个人和你讲理”。 在家里养家畜的那位女士，看起来还是非常成熟自立有爱心的，下岗以后除了一点儿有限的福利补贴，她就靠着这个生意过活。她养的兔子，既可以当宠物也可以作食用，完全由客人自己决定。Moore刚开始去的时候她还有戒心，怕是来检查卫生的。后来几次就越来越乐意接受采访和拍摄。直到有一次，她表演了亲手杀死一只兔子，而且很利索地剥了皮，而一分钟之前，她还在把这只兔子抱在怀里嬉戏。 记录片不一定是客观的，就像这一部。Moore对通用肯定有个人恩怨，他用不着掩饰这个。他要做的事儿是，战术性地压抑自己的愤怒，用专业精神制作一部人们愿意看的悲剧性现实影片。我觉得他挺成功的。
