Ano
搜索"Ano"，找到767部影视作品
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/en
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潘是个勤奋的人。自从他父母去世后，他辍学开始工作来养活自己和他的小弟弟。潘先生在他租来的房子前开了一个露天货摊，但几乎入不敷出。那是在他的一个顾客招募他为他朋友拥有的一家酒店当厨师之前。酒店老板通(音)是一位年轻而头脑发热的商人。他们实际上以前见过面，他们对彼此的印象不好。当潘发现通是这家旅馆的老板时，他立即拒绝在那里工作。然而，通要求他做这项工作，他不想被人看不起，所以决定接受这个职位。通一尝就喜欢上了潘的菜，但又不想丢脸，就跟潘说菜难吃。这两个人见面总是打架。但是过了一段时间，他们每天的争吵发展成了一些特别的事情 Poon is a hardworking guy. Ever since his parents passed away, he quit school and started working to provide for himself and his little brother. Poon opened a somtum stall in front of his rented house but could barely make ends meet. That was until one of his customers recruited him as a chef for a hotel owned by his friend. The hotel owner, Tian, is a young and hot-headed businessman. They had actually met each other before and they had bad impression of each other. When Poon found out that Tian was the hotel owner he immediately refused to work there. However, Tian challenged him to do the job and, not wanting to be looked down at, he decided to accept the position. Tian fell in love with Poon's food once he tasted it but didn't want to lose his face, so he told Poon that the food was horrible. These two always fought when they see each other. But after some time, their daily spat grew into something special.
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/Robert Alvarez,Don Lusk,Paul Sommer,Carl Urbano,Oscar Dufau,Jay Sarbry
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许多朋友都对儿时收看的动画片《猫和老鼠》无比怀念，在网上搜索到的大多是米高梅版的《猫和老鼠》，片中的猫及老鼠都比我们儿时在央视观看的大一号。留在80后最美好记忆中的猫和老鼠动画片实际是这部Tom and Jerry Kids show.由美国福克斯电视台1990年9月8日首播，1993年8月2日停播，共65集。每集三个故事，除了猫和老鼠外还穿插有肚皮和肚饱的父子狗对战麦克老狼的故事。这部Tom and Jerry Kids show 相比以前的猫和老鼠版本减少了暴力镜头，人物之间趋向于使用各种物品巧妙对战，猫和老鼠的形象也有改变，他们更加卡通，个头变小，更像是两个小孩。
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/Philippe Talavera
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Kapana is titled after grilled meat sold on the streets of Namibia. This charming romance is the first gay love story on film from Namibia, and tells the story of George, an openly gay office worker, and Simeon, a closeted kapana vendor. The men meet in a bar, flirt, and hook up. Both have differing views on being gay in a country with strict anti-gay laws. Simeon believes that his casual same-sex encounters do not make him gay. George, on the other hand, longs for something more than a one-night stand. Despite these differences, they start seeing each other, but it isn’t long before deep secrets put the men’s budding romance to the test. Don’t miss this one-of-a-kind love story that will give festival audiences a taste of queer life in Namibia.
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/Curtis Graham
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Benjamin Bernard has lived his life in the shadow of his brother. Torn between jealousy and loyalty, Benjamin takes out his aggression as a mixed martial arts (MMA) fighter. After an event nearly shatters the life of his brother, Benjamin must face his overwhelming feelings of anger and resentment as he discovers the truth about his family. As one brother fights for his life, the other must fight for reconciliation and redemption inside and outside the cage. This family film explores love, forgiveness, loss, healed relationship and, ultimately, the realization that we are all God's Favorite.
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/田中亮,星野和成,森胁智延,并木道子 Michiko Namiki
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入间道夫（竹野内丰饰）是一个为了绝不制造冤案，亲自进行现场验证，查明事件真相的不守常规的刑事法官。虽然与稳重的法官形象相去甚远，但他有着自由的观察眼光和彻底调查的探究心，完全不受约束、偏见和成见的束缚，是律师和检察官都惧怕的怪人。另一方面，对于每个人经常负责250件左右案件的刑事法官来说，迅速有效地处理案件也是一大使命。对于以自己的步调深入挖掘事件的道夫，其他成员总是很苦恼。这样的道夫，其实有着原律师的特殊经历。成为法官的背景，好像和过去的某个事件有很深的关联。 （猪猪字幕组翻译）
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/Roberto Capucci
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When their father's will forces them to live together, siblings Nik and Tesla — and Tesla's kids — try to overcome their differences to become a family. Claudia Pandolfi, Alessandro Preziosi and Ludovica Martino star in My Brother, My Sister, directed by Roberto Capucci. Only on Netflix October 8.
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/陈凯歌,维克多·艾里斯,沃纳·赫尔佐格,吉姆·贾木许,阿基·考里斯马基,斯派克·李,维姆·文德斯
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《十分钟年华老去 大提琴篇》的姊妹篇，由七位知名导演各自执导摄制而成，共同讲述发生在短暂十分钟里的人情冷暖。 《狗没有地狱》里刑满出狱的男人带着女友一起远走故乡莫斯科，是坚贞的爱情与灵魂的回归；《生命线》中由呱呱坠地的新生儿讲起，平静安详；《几千年前》讲述的是现代文明带给原始部落的冲击跟入侵；《国际组织·拖车·夜晚》借休息的女演员视角，透视着大千世界里的形形色色；《距离托那12英里》是挣扎在生死线上的宝贵十分钟；《我们将被掠夺》发生在戈尔竞选总统失败的最后十分钟里；《百花深处》向我们讲述一段“模拟搬家”的荒唐闹剧。
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/Sergey Livnev
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This is an interesting yet bizarre little tale of a fictional (as far as I know, anyway) experiment performed during the Stalin-controlled years in the USSR. The main character is changed from a woman into a man. This is part of a larger plan to change more women into men and have a stronger work-force/army, etc. It's a very in-depth character study of the main character, who tries to fit into a world that she (now 'he') doesn't really understand, especially since she's now a man ... Stalin dislikes the results of the experiments and has the scientist killed. The main character then goes off to live a life as a simple, unknown everyday Soviet, but is inexplicably drawn into larger and larger schemes (somewhat reminiscent of "Forrest Gump" in that way). (s)He has run-ins with different important characters, including his ex-boyfriend from his days of being a woman, as well as going on a demented quest for the nurse with whom he possibly fell in love after the operation... However, he is trapped in his life as an important Soviet married man, and in the end makes a huge sacrifice for his country (unwillingly), and the movie goes from there to an ending that is possibly happy, yet still somehow incredibly depressing.
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/罗伯托·罗西里尼
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故事发生在第二次世界大战结束之际，位于西西里的一座小镇中，居民们都沉浸在热烈的庆典气氛里，借着这个空档，魔鬼乔装打扮混入其中，来到了镇上照相馆主人切雷斯提诺（ Gennaro Pisano 饰）的家中，要求借住，善良的切雷斯提诺接待了他。魔鬼在切雷斯提诺店里的一台照相机上施了法术，所有被这台照相机拍摄到的人都将死亡。 发现了这一秘密的切雷斯提诺既害怕又兴奋，他将这个秘密告诉了镇上的神父和镇长，可是没有人愿意相信他所言，甚至认为他已经疯了。连连遭到否定和嘲笑，切雷斯提诺的内心渐渐黑化，他发现，这台相机可以帮助自己“惩恶扬善”。
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/沃伊切赫·哈斯
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The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
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/杨·史云梅耶
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备受梦魇折磨的年轻男子让·伯洛特（帕沃·里斯卡 Pavel Liska饰）反复做着同样一个梦境：两个恶魔闯进他的卧室，把他推进了疯人院。心力憔悴的伯洛特偶遇神秘侯爵马奎斯（杨·特里斯加 Jan Triska饰）。这个扬言要救治伯洛特的怪异侯爵，引诱伯洛特来到一间阴森恐怖的疯人院。黏着的空气，病态的疯人，黑暗之中穿插的“生肉表演”以及一系列令人作呕的放荡作为，让失魂落魄的伯洛特彻底崩溃了。当他从看似纯美的护士夏洛特（安娜·吉赛罗娃 Anna Geislerová饰）口中得知院长和侯爵的丑恶的面目时，这场炼狱般的噩梦才刚刚开始。 这部由捷克电影和动画大师杨·史云梅耶创作的超现实主义作品《梦魇疯人院》，荣获2005年皮尔森电影节最佳影片，2006年捷克金狮奖最佳艺术指导、海报设计等奖项，并代表捷克参加2007年奥斯卡最佳外语片的角逐。史云梅耶在开篇就警告世人，这是一部考验你视觉极限和挑战你心理极限的反美学的影片。他以此片向死亡美学大师爱伦·坡和色情作家萨德侯爵致敬。骇人的生肉与内脏，悚然的仪式与噩梦，一起构筑起了这座彻底癫狂病态的梦魇疯人院。
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/阿莉切·罗尔瓦赫尔
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2011年意大利最新剧情佳作，戛纳电影节导演双周单元，埃松电影节评审团特别奖，影片以近乎记录片的手法记录了一位小女孩内心的挣扎 13岁的玛塔生活在意大利南部深处，她在瑞士呆了10年，现在正在努力适应着回到意大利的生活。长着一对明亮大眼睛的她时常感到不安和害怕。她用着自己所有的感官在感受这个城市——她看、她听、她感受——但是她却觉得自己只是一个局外人。 玛塔即将在当地的天主教教堂里举行自己的受洗仪式。根据天主教教义的规定，玛塔必须通晓教义问答集的内容，并且将其作为自己的行为准则来遵守。可就在这个节骨眼上，玛塔和她的妈妈、妹妹以及学校的老师起了冲突。在经历了一些事情之后，她决定剪掉自己的头发，开始新的生活。 从这一刻起，玛塔才觉得自己在回到意大利之后真正地“活”了一次。 一句话评论 可能导演真正犯下的错误只有忽视了主角的观点和性格这一项。不过，如果把影片放在纪录片美学的框架下看，这又算不得什么缺点，只能说是导演为了实践纪录片美学所做的妥协。——每日银幕 简单随性的故事，若即若离的镜头语言。这是一部很标准的欧洲文艺片。可能只有小部分影迷才能欣赏它。——综艺杂志 应该说，这是一部完全遵循现实主义的要件而创作出来的影片。它探讨的是关于信仰和成长的话题。加之一些象征的元素，让影片很有观赏性。——好莱坞报道者 幕后制作 影片在意大利南部小城雷焦卡拉布里亚拍摄，在影片中，这个地方显得脏、穷以及脱离现代社会。导演洛瓦赫是在拍摄记录片的时候发现这个地方的。她说：“就在这个地方，孩子们需要捡垃圾过活。我很喜欢这里，所以决定要把《天体》给放在这里拍摄。这里显得很真实，它的的确确地表现出了整个意大利的矛盾：在漂亮的风景之下，人们却被现代化的进程搅得心神不宁。这个城市的特质，表现出了整个意大利的浮躁。” 影片用一个寻找自我的故事，讲述了一个关于迷失和宗教问题的主题。实际上洛瓦赫在一开始并没有把迷失作为主题来创作。她说：“整部电影建立在我的调查的基础之上的，并没有从一开始就准备从迷失这个主题开始创作。我在调查的时候，发现在一个社区中几乎所有人都处在迷失中。所以我创造了玛塔这个角色，让她迷失自己，在大千世界中为自己寻觅一个合适的位置。”影片中出现了不少批判宗教的内容，可以看出来洛瓦赫对于宗教很有意见。在电影中，唐·马里奥神父对于信徒的信仰、问题和困顿并不关心，他只关心自己的“事业”。洛瓦赫说：“在如今的意大利，这是一种极为普遍的现象，而且马里奥这个角色也来自于现实。很多神父虽然表面上从事的是神职工作，但实际上已经变成了权利的信徒。他们工作的内容就是盖教堂、想着如何升迁并如何发展更多的信徒让自己的权力更加庞大。他们从来不教导人该如何去拥有信仰，只是让人们一个劲地去记那些教义问答集里的内容，让人去做祷告。这和真正的宗教背道而驰。” 本片导演爱丽丝·洛瓦赫在拍摄这部电影之前一直是一个纪录片导演，所以本片也就不可避免地带上了纪录片气质。从镜头到故事，从剪辑到氛围，《天体》的本质都更接近于纪录片而不是故事片。尤其是影片对玛塔生活和选择的描写，既淡定又冷酷，摄影机好像只是一个旁观者，对所有的事件只负责记录不负责评价。谈到这种镜头语言，必须要提到影片的摄影师Hélène Louvart。这位杰出的摄影师的上一部作品是维姆·文德斯的纪录片《皮娜》。谈及Louvart爱丽丝·洛瓦赫说：“我们合作得非常愉快，她总是能很快地抓住你想要的东西，而且她好像也没有费什么大力气就达到了我的要求。他和我都是那种崇尚简单工作的人。就是如此，我们才把这部电影的视觉效果打造得这么出色。总体来说，这部电影关注的是精神上的东西，精神上的想法实际上并不飘渺。有人觉得精神内容是虚幻的，其实精神恰恰是实际的、是真实的，是某种根植于内心深处的内容。这就是影片标题《天体》的含义。宇宙中的天体，显得十分飘渺、而且不可触及，可是它们就是真实的存在在那里，而且已经存在了上万上亿年。这和精神的不可触及但是很实际的特质可以说是一模一样。”
