Se
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导演:
/西里斯科什·慕克吉
剧情:
Anand (Rajesh Khanna饰),一个癌症末期的病人,却活得问心无愧,不像其他抑郁和绝望病人,他享受着余下生命的每一刻。他的医生Bhaskar (Amitabh Bachchan饰),被人们亲热地称呼为Moshai先生,他的精神拥有着令人惊讶的力量,以自己的方式让周围的人了解生命的意义。可是,Bhaskar却对Anand的病无能为力… 《Anand》成功塑造了一个勇敢面对死亡的人,这是一部令人感动的电影。该片在1972年的 Filmfare Awards颁奖典礼上获得六个奖项,包括最佳男主角(Rajesh Khanna)、最佳男配角(Amitabh Bachchan)、最佳对白(Sampooran Singh Gulzar)、最佳编剧(Hrishikesh Mukherjee)、最佳影片(Hrishikesh Mukherjee,N.C. Sippy)、最佳剧情(Hrishikesh Mukherjee)。
导演:
/Ben C. Lucas
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剧情:
单一色调的八个游泳队员在同样单一色调的学校泳池破浪。 一对同母异父兄弟,大哥Zack是学校老大,他人脉广阔,在学校深受女生爱戴,不时发施号令, 要弟弟Darren代做化学家课;弟弟是典型电脑迷,时刻沉迷网络游戏及破解程式密码,弟弟不是一头乱发、佩带黑色大框架眼镜,以及衣衫不整以现代贬义称为的“宅男”,他是以兄长为校队游泳团队首领,成绩欠佳的游泳队员。爱接触阳光池水及精通电脑的男孩可谓文武兼备,他比不上哥哥的狡黠, 男人不坏,女人不爱,弟弟的木讷朴实不是女同学喜欢的类型,他遇见了倾心对象。 Xandrie的幼滑金丝、纯真笑容打动了Darren,他在哥哥搞的狂热派对找不到金发蓝衣美人,发放短讯联系,短句是只有年青网络族群才懂的文字,他在房间的监视器遍寻不获,遇到了意图借着酒精毒品弄得迷迷糊糊在电脑男房间胡天胡帝的男女,Darren挂心不知所在的Xandrie恐怕被男人下了药带到隐匿地方施暴,他害怕Xandrie遭遇 同一手段,他赶走了他们,是潜意识对抗利用酒及违禁粉末壮大胆子,麻醉常理,做出一发不可收拾劣行的校友。 单一色调的泳池竞赛选手不是八个,余下四个是校园欺凌的要角。
导演:
/Jean-Marie Straub
剧情:
The lines start with “O Somma Luce” which is the title of the film and also the 67th line of the 33rd canto in “Paradiso” of Dante’s “Divine Comedy” to the end of “Paradiso”. The film is completed with music and lines instead of emotions and narrations. This is a recent attempt to combine film with literature. The film begins with a black screen and the music of Edgard Varese. The BGM is “Deserts” that was recorded in 1954. After some moments of darkness, the music ends and a middle-aged man sits on a hill, reciting something. He is Giorgio Passerone, an Italian literature professor, and he is reading out of the last part of ‘Paradiso’ of Dante’s Divine Comedy. Jean-Marie Straub expressed how he thinks of Dante through a subtle accent and dialect. The director who had encoded many great artists and musicians including Bach, complete the combination of Dante and Varese, which could seem strange. (Lim Kyung Yong)
导演:
/法兰提塞·维拉席
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In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
导演:
/史蒂芬·奎,狄莫瑞·奎
剧情:
动画大师奎氏兄弟第一次拍摄真人表演的故事长片 为幻想主义主题开拓了一个新的层面 特里·吉列姆称:三百年内最具视觉魅力且不遗幽默的电影,令我嫉妒” 简介:观众被片中幽暗阴森的迷宫与回廊、荒谬突兀的人物情节所震慑;特里·吉列姆(Terry Gilliam)更称此片是一部“最近三百年内我看到的最具视觉魅力且不遗幽默的电影,令我感到嫉妒”的作品。 在创作灵感来自晦涩文学或奇思怪想的作品同时,他们还拍摄了一系列音乐录影短片、广告和电视宣传片以及为歌剧担任舞台美术设计;值得一提的是,彼得·格林纳威的《一加一的故事》便是以奎氏兄弟为蓝本。
导演:
/贝特朗·布里叶
剧情:
对于音乐家雷米(帕特里克·迪瓦尔 Patrick Dewaere 饰)来说,日子变得越来越不好过,不仅仅是职业上的停滞不前,妻子一成不变的容颜和乏味的婚姻生活也让他几近抓狂。就在这个节骨眼上,妻子车祸身亡的消息让雷米感到震惊却又有一丝解脱,而妻子留下的14岁的继女玛丽安(阿里尔·贝西 Ariel Besse 饰)也成为了一个包袱。 玛丽安的生父想夺回玛丽安的抚养权,没想到,小小的玛丽安却更愿意和继父生活在一起。同一屋檐下,这对没有血缘关系的“父女”之间的情感变得朦胧而又暧昧。对于玛丽安的火热表白,雷米从最初的果断拒绝到之后的欲拒还迎,他能否守住伦理道德的最后一条底线呢?
导演:
/Marie-Louise Iribe
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剧情:
演而優則導的瑪莉路易斯‧依莉貝以令人驚豔的光影戲法改編德國文學與音樂中的經典作品《魔王》。導演一方面結合自然場景、歌舞疊影與特技攝影,成功地詮釋歌德敘事詩中的奇幻想像;另方面也巧妙地運用蒙太奇式的剪輯手法,體現舒伯特藝術音樂中充滿動態感的創作調性。依莉貝以懸疑、獨特的視覺語彙成為開創法國有聲電影史新頁的代表人物之一。
导演:
/内详
剧情:
筹备快七年,由“《大小谎言》组姐妹”Reese Witherspoon和Laura Dern参与开发的《微小美丽的事物》(Tiny Beautiful Things)终于获得Hulu正式八集预订,这部半小时喜剧也邀请到了《旺达·幻视》Kathryn Hahn领衔主演,《星星之火》主创Liz Tigelaar担任主创。 Reese和Laura以及本剧原著作者Cheryl Strayed相识于《涉足荒野》的拍摄中,当时两人相中了Liz的这本书,并迅速敲定了改编权;2015年,两人将这个项目带到了HBO,并邀请Cheryl和她的老公参与改编。不过最终两人在《大小谎言》才实现再合作(也同时拥有Liane Moriaty另本书的影视改编企划),这个项目却没有了下文。如今Hulu的参与,也最终为这本书的改编之路带来一个全新的起点。 本书在2012年推出后,就登上了《纽约时报》畅销书排行榜;她辑录了Cheryl化名为“Dead Sugar”,在一个叫做<The Rumpus>的线上文学网站为许多人提供婚姻建议撰写的专栏文章。以多个时间线作为讲述,即使自己的生活分崩离析,“Dead Sugar”女士也以惊人的坦率、亲切与勇气来拆解其中的美丽、挣扎与幽默。有的时候我们并非无法拯救,因为往往我们会从自己身上获得拯救。
导演:
/埃瓦尔德·朔尔姆
剧情:
This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech "New Wave". During the "normalization" era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the "Na zábradlí" Theater and Laterna Magika.
导演:
/Manu Gómez
剧情:
Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce años poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sueños de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.
导演:
/E·A·杜邦
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赫勒(爱米尔·强宁斯 Emil Jannings 饰)是杂耍班的演员,他和妻子伯特纳(梅丽· 戴尔沙夫特 Maly Delschaft 饰)合作表演的空中飞人项目深受观众们的喜爱。然而,随着时间的推移,伯特纳的身材渐渐走形,已经不再适合表演空中飞人了,无奈之下,赫勒带着她来到了位于德国汉堡的另一间杂耍班谋生。 贝尔特(利亚·德·普提 Lya De Putti 饰)是常常来看演出的观众,在赫勒的见一下,她开始尝试登台表演,谁知道贝尔特的表演大受欢迎,就这样,贝尔特成为了杂耍班的红人。在朝夕相处之中,赫勒喜欢上了年轻貌美的贝尔特,他无情的抛弃了妻子,和贝尔特私奔了。
导演:
/Ivan Popov
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剧情:
虎子是一只可爱的小奶猫,一场意外中,虎子从窗台上掉了下去,落在大卡车上。幸运的是,虎子遇见了一只善良的流浪猫,在流浪猫的带领下,虎子来到了前马戏团驯兽员的家,这里,是几十只流浪猫共同的家。 住在驯兽员家中的猫儿们多才多艺,本领十分了得,其中还有一只血统十分高贵的波斯猫。要喂养这么多的猫,已经失业的驯兽员的日子过得十分拮据,可尽管如此,他依然没有放弃猫儿们,他已经将它们视作家人。驯兽员的运气越来越差,日子过得越来越落魄,甚至受伤住进了医院,无人照料的猫儿们自发的来到街上,凭着各自的本领生存了下来。驯兽员回来了,而虎子则意外的和曾经的主人重逢。