Na
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导演：
/Anthony DiBlasi
主演：
剧情：
厌倦了无聊的学业，奎德（肖恩·埃文斯 Shaun Evans 饰）、斯蒂芬·格雷斯（杰克逊·拉斯波恩 Jackson Rathbone 饰）及其女友谢丽尔·弗洛姆（汉娜·斯蒂恩 Hanne Steen 饰）合作进行一项探寻人类恐怖之源的研究。他们采访应征者，请他们讲述各自心中最恐惧的事情。与此同时，这三个人慢慢讲述了各自的心结。斯蒂芬的哥哥死于车祸，因此他对汽车和死亡有着天然的恐惧；谢丽尔的父亲在屠宰场工作，致使她对肉类心生抵触；奎德则在6岁时目睹了父母被破门而入的男子杀害的惨状，血腥的阴影时刻笼罩心头。 他们的研究逐渐接近尾声，但是奎德的情绪却变得越来越不稳定，他最终走向崩溃的边缘……
导演：
/Anthony Cousins,Alexandra Barreto,Rachele Wiggins,杰德·谢帕德
剧情：
Scare Package II: Rad Chad’s Revenge immediately follows the events of the original with the survivors attending the funeral of “Rad Chad” Buckley, which quickly devolves into an elaborate series of death traps centered around Chad’s favorite films, forcing the guests to band together and use the rules of horror to survive the bloody game.
导演：
/Pin Kriengkraisakul
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剧情：
Anyamanee傲慢却内心脆弱，以自我为中心。出生在重男轻女的家庭，使她长期压抑。有天遇见了为人正直善良、无私豁达的Guerkhun。Guerkhun准备给予Anyamanee温暖的爱。因为家庭成员包括兄弟Chanuch的去世，两个人的情路并不顺利。同时由于嫂子Pimrata，Guerkhun成为了嫌疑人。Pimrata是一个温柔甜美的女人，在她的生活中拥有完美的东西。她为离开前任嫁给Anyamanee的哥哥Chanuch而后悔，即使为时已晚，她也想和前任复合。
导演：
/Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/弗兰克·米勒,罗伯特·罗德里格兹,昆汀·塔伦蒂诺
剧情：
影片改编自著名漫画大师弗兰克•米勒的经典同名漫画，由三个故事组成，都发生在虚拟的罪恶之城，这里，警察和暴徒已无分别，暴力摧毁一切，也保护一切。 故事一：罪城 容貌丑陋，脾气火爆的马福（米基•洛克 饰），遇上了金发美女歌蒂，一夜情给了马福从未有过的温暖。然而，醒来之后，马福发现躺在身边的歌蒂被谋杀，自己则面临着杀人凶手的指控。 马福的心被愤怒和复仇的火焰点燃，他在歌蒂的姐姐温蒂的帮助下，调查事实的真相，寻找杀害自己爱人的凶手...... 故事二：狙杀 迪怀特(克里夫•欧文 饰)以前是罪犯，整容后，他成了酒吧招待雪莉的男朋友，并且帮她教训纠缠不清的前男友，有暴力倾向的杰奇(本尼西奥•德尔托罗 饰)。 迪怀特跟踪杰奇一伙到了由妓女帮派统治的老城，杰奇不按规则办事，被妓女们杀死，之后，她们才发现，杰奇是警察，他的死，破坏了妓女们和警察之间的协议。迪怀特必须帮她们掩盖犯罪事实，并且保护她们的权利...... 故事三：黄杂种 哈迪根(布鲁斯•威利斯 饰)由于心脏病快退休了，在他警察生涯的最后一小时，哈迪接到情报，参议员的儿子罗杰绑架了11岁的少女南茜，罗杰是几起奸杀案的主要嫌疑人，落到他手里凶多吉少。 哈迪根单枪匹马的救出了南希，废掉了罗杰，自己也身受重伤。随后的八年，罗杰的参议员父亲，利用权势将他关在监狱中，逼他为罗杰顶罪，哈迪根一直没有屈服，而南希化名为科里迪娅的来信则是她生活中的唯一慰藉。 南希的来信突然中断了，这让哈迪根很不安，他不得不放弃反抗，以认罪来换取假释，寻找保护南希。他并不知道，一直在暗中跟踪他的怪物黄杂种，将让他和南希重新陷入危险之中......
导演：
/琳恩·拉姆塞
主演：
剧情：
故事发生在1973年的格拉斯哥，对于男孩詹姆斯（威廉·艾迪 William Eadie 饰）来说，这个夏天并不好过，炎炎的烈日让人怎么都打不起精神，而清洁工人的大罢工让街道瞬间变成了堆满了腐臭垃圾的垃圾场。当然，这些都不是最重要的，最让詹姆斯寝食难安的是自己的朋友赖安（Thomas McTaggart 饰）的死亡，是他的死和自己有着千丝万缕的联系。 透过詹姆斯的眼睛，我们看到了肮脏不堪的世界，但同时，他茫然踌躇的目光里依然饱含着对未来的憧憬和对爱的渴望。在谁也不知道的地方，一颗幼小的灵魂不断的被痛苦纠缠着，磨砺着，作为代价，它将绽放出最最让人惊诧的纯净光芒。
导演：
/乔纳森·布罗,皮耶·威尔基
剧情：
本剧由凭借《我讨厌苏西》“Naomi” 获得英国电视学院奖提名的Leila Farzad和《小镇疑云》“Mark” Andrew Buchan领衔主演，《疼痛难免》和《家裂》背后的制作公司SISTER与BBC台共同打造，《真实的人类》编剧Jonathan Brackey与Sam Vincent执笔。 本剧描述了一对搭档之间的联系，而两人生活的世界的所谓“对”与“错”也交由自己判断，Leila形容本剧将会是“关于道德故事的全新诠释”。 剧中的故事始于十九年前，彼时Leila将扮演的“Lou Slack”还只是一名机智、但陷入职场调查的女警；而Andrew饰演的“Col McHugh”则是当地帮派一名刚入行但雄心勃勃的信任。两人此后相遇，并达成了一项将永远改变彼此生活的协议，并建立了一种复杂但特殊的关系；这笔交易让“Lou”扭转了自己的职场运，此后她取得的成功都建立在欺骗和腐败的基础上；而“Col”成长为一名迷人的商人和房地产开发商，也领导着全市的贩DU团伙。如今，“Lou”经历的家庭悲剧被迫将她带往赎罪纠错的道路上，这样才有可能获得第二次机会、并且有更好的生活。
导演：
/葛伦·盖洛
剧情：
著名同志喜剧“外出就餐”已成为像“美国派”一样的品牌系列。本集主角是眼睛大大的男生凯西（丹尼尔·斯凯尔顿 Daniel Skelton 饰）。他刚搬来小城，和前两集的放荡同人女蒂凡尼（丽贝卡·科芡 Rebekah Kochan 饰）一见如故，被后者哄去同志社区中心做志愿者。在那里他遇到了型男扎克（克里斯·萨尔瓦托 Chris Salvatore 饰）。凯西觉得自己不会是扎克喜欢的类型，但芳心难奈下决定网聊搭讪，而蒂凡尼慷慨的出借前男友——脱衣猛男莱恩（迈克尔E.R.沃克 Michael E.R. Walker 饰）的照片和档案。凯西顺利的让扎克爱上了这个拥有虚假外表的自己，但他没有意识到真正打动扎克的是他的兴趣和梦想。莱恩的意外回归将所有谎言踢爆，凯西想挽回扎克对他的感觉，于是毅然报名参加同志社区的慈善义卖......
导演：
/佩德罗·阿莫多瓦
剧情：
在蕾贝嘉（维多利亚·阿布里尔 Victoria Abril饰）的童年时期，作为当红歌手的母亲（玛丽莎·佩雷德斯 Marisa Paredes饰）就为了事业而远走他乡，抛下女儿独自长大。蕾贝嘉一直想挽留母亲在身边，不惜间接害死继父，这一切都是枉然。 母亲的光彩太耀眼，蕾贝嘉尽其一生去模仿追赶，想要成为母亲那样的人；同时，母亲的无情和永远无法超越的高度，却令蕾贝嘉对她充满妒和恨。她当上了新闻主播，嫁给了母亲的旧情人，力图让自己变得强大。但是母亲回来后，和蕾贝嘉的丈夫爱火重生，这让蕾贝嘉非常生气。她一怒之下把丈夫杀死，并坦诚了自己的罪行。 蕾贝嘉入狱后，母亲反省自己和女儿的关系为何变成这样。她要赎罪，要把正当盛年的女儿从监狱里救出来，让蕾贝嘉继续寻找幸福的归宿。
导演：
/内详
剧情：
图姆（塔纳泰·查亚特 Kangsom Tanatat Chaiyaat 饰）、奥利（芮塔·彭安 Rhatha Phongam 饰）和查蒂（庞萨克·拉塔纳波 Pongsak Rattanapong 饰）是学生时代的好友，彼此之间感情非常的要好。毕业之后，查蒂选择了出国深造，一直都热爱摄影的图姆转行当起了摄影师，而奥利则开了一家小超市，做起了小买卖。 为了工作，图姆租下了一间很大的工作室，然而，昂贵的房租给图姆带来了巨大的经济压力。为了解决这个问题，奥利联系上了查蒂，决定大家一起合租来分担房租。然而，当图姆时隔多年再度见到查蒂后，他的反应却并不是那么的高兴，因为他和查蒂曾经有过一段不为人知的往事。
导演：
/维克托·哈普林
剧情：
Young couple Madeleine and Neil are coaxed by acquaintance Monsieur Beaumont to get married on his Haitian plantation. Beaumont's motives are purely selfish as he makes every attempt to convince the beautiful young girl to run away with him. For help Beaumont turns to the devious Legendre, a man who runs his mill by mind controlling people he has turned into zombies. After Beaumont uses Legendre's zombie potion on Madeleine, he is dissatisfied with her emotionless being and wants her to be changed back. Legendre has no intention of doing this and he drugs Beaumont as well to add to his zombie collection. Meanwhile, grieving 'widower' Neil is convinced by a local priest that Madeleine may still be alive and he seeks her out.
导演：
/Mark Pavia
主演：
剧情：
这晚，纽约州又一名机场管理员巴克暴毙在停机坪上，尸体乾瘪瘪的被人完全抽干了所有的血。这一事件震撼了新闻界，因为先前在缅因州也发生了类似的命案，于是，“吸血鬼复活”的传言传遍了美国的大街小巷，一时人人惊慌。这晚，在马里兰州雷雨之夜，身穿漆黑大披风的夜行者再次驾驶飞机犯案，又两位无辜的市民度惨死在他手中，犯案情节竟和《吸血鬼瑞菲》的电影情节一模一样。报社主编莫里森（丹尼•莫纳汉 Dan Monahan 饰）让拥有飞机执照的资深记者理查德（米高•佛瑞 Miguel Ferrer 饰）越州对这一事件进行深入报导，到底还有多少人命丧恶魔之手？
