Rey
搜索"Rey"，找到461部影视作品
导演：
/James Duff
主演：
剧情：
Deputy Police Chief Brenda Leigh Johnson (Kyra Sedgwick) is a police detective who transfers from Atlanta to Los Angeles to head up a special unit of the LAPD that handles sensitive, high-profile murder cases. Despite a tendency to step on people's toes, Johnson manages to convert even her strongest adversaries with her unique ability to get to the truth. “他们带你进去，她将让你说出一切” 金发美女Brenda Leigh Johnson是一位从亚特兰大调职到洛杉矶的警察局副局长。Brenda所在的部门是LAPD主要处理一些引人注目非常敏感的谋杀案。在这个男性的领域，站在最高峰的Brenda会怎样收服一群骁勇善战的手下？又是怎样让这些骄傲的大男人在危急时刻站在她的身前替她说话？ Brenda的才能只有走进那间审讯室你才会体会到。不管你的嘴巴有多固若金汤，只要你有秘密，美丽的Brenda都会让你滔滔不绝。 2006年重磅回归 在这个热烈的6月，美丽的Brenda将在TNT电视台回到我们中间。Sedgwick凭借《The Closer》初次屏幕亮相就获得金球奖和电影协会奖的提名，高居不下的收视率让这个美丽的金发女郎走进每个人的心里。剧里面的Brenda面对案件的时候聪明机智，但是站在高处的美女局长不是完美的，自己的房间却是一团糟，方向感缺乏，喜欢在让嫌疑人倒出秘密之后吃一块小小的甜点。为什么The Closer会有那么高的收视率？杰出制作人James Duff解释说：“Kyra Sedgwick把Brenda演活了，让她成为了我们中间的一位。” 回归的亮点 喜欢Brenda个性的观众有福了，第二季的回归剧情将围绕女主角Brenda的个人挑战，我们会看到更多的有关Brenda身边的人还有Brenda高高在上的“Boss”，而Brenda的爱情会面临更多的挑战。想要继续统领这帮骄傲的男人，让他们努力乾活Brenda必须使出浑身的解数。案件频发，挑战在继续，Brenda的生活游离在案件与自身之间。 人家都说美丽的女人是花瓶，那我们来看看高智商的美女如何在回归的第二季颠覆这个古怪的谬论。
导演：
/斯坦·温斯顿
剧情：
本音乐短片改编自史蒂芬·金（Stephen King）的原创故事，导演是特效大师斯坦·温斯顿（Stan Winston）。故事开头，胖镇长（迈克尔·杰克逊 Michael Jackson 饰）带着一群家长和孩子来到镇上的一座古堡中，目的是为了赶走古堡的怪主人（迈克尔·杰 克逊 Michael Jackson 饰）。面对镇长的咄咄相逼，古堡主人提议谁先让对方害怕谁就离开，于是古堡主人带领一群鬼怪开始了奇异的恐怖的表演。表演过程由《Too bad》《Is it scary》《Ghosts》三首歌曲串联而成，最后古堡主人成功吓跑了镇长，并得到了居民的喜爱。 这是迈克尔·杰克逊1997年拍摄的一部吉尼斯世界纪录记录最长的音乐录音带，在此片中MJ分饰了无名角色，包括经过了特效化妆后的胖镇长。
导演：
/凯亚·罗奇-特纳
主演：
剧情：
机械工程师巴瑞（Jay Gallagher 饰）原本和妻子安妮（Catherine Terracini 饰）、女儿梅根（Meganne West 饰） 过着快乐无忧的生活，但在一个不祥之夜，他们的人生发生了翻天覆地的巨变。沉睡中的巴瑞突然接到妹妹布鲁克（Bianca Bradey 饰）的电话，妹妹声称朋友们毫无征兆的情况下甚至错乱，变成了凶恶残暴、嗜血如命的恐怖丧尸。话音未落之际，巴瑞一家也遭到丧尸们的袭击。夜幕退去，曙光降临。布鲁克被两名全副武装的士兵解救，随后则被打晕带走。与此同时，逃难中的巴瑞则不得不面对妻子女儿尸变的悲惨一幕。 途中他遇到了其他的幸存者，为了搭救被困的妹妹，巴瑞选择穿越丧尸群集的恐怖地带……
导演：
/内详
主演：
剧情：
Brenda回来了，这个灵牙利齿，爱吃甜食，养了只猫猫的小女人又回来了。在第四季中，《罪案终结》将为各位带来更多的故事，Brenda除了工作中要继续应对各类案件外，生活也将经历很多的改变，其中未婚夫与其父母的关系将是重头戏之一。 本季，Brenda仍然是才思敏捷的调查员，也依然对于纽约警察局里的政治事务一窃不通，她依然在想办法改掉爱吃甜食的毛病，却依然在走过任何一个自动贩售机前痛苦不已。 创作人员表示，《罪案终结》的第四季将围绕“力量”（Power）这一主题展开，同时会更多的关注Brenda的生活。 “我们将继续验证有关力量的话题，尤其是我们能有多少力量来掌控自己的生活。”制片人James Duff如是说道，：“我们都认为生活在自己的掌控之中。这一季将随着Brenda追踪着一名纵火犯而拉开序幕。与此同时，她的身边还会有一名记者作随行报道。” 《罪案终结》这一连续剧的制片人员包括有Greer Shephard（Nip/Tuck和 The D.A.制片人），Michael M.Robin（Nip/Tuck，The D.A.和NYPD Blue制片人），Duff（The D.A.和The Agency制片人），以及Sedgwick和Andrew J.Sacks（The D.A.， Adaptation以及Two Soldiers制片人）。 虽然《罪案终结》这一连续剧是以Brenda为中心的，但它已两度获得演员工会奖的全体演员奖的提名。这一全明星级的豪华阵容除了Tenney之外，还包括有J.K. Simmons , Corey Reynolds , Robert Gossett , G.W. Bailey , Tony Denison , Raymond Cruz , Michael Paul Chan , Gina Ravera 和Phillip P. Keene。
导演：
/温里希·科尔贝,Georg Fenady,西德尼·海斯,Harvey S. Laidman,Jeffrey Hayden,伯纳德·麦克埃弗蒂,Bob Bralver,查尔斯·贝尔,Charles Watson Sanford,Roy Campanella II,Gino Grimaldi,Gilbert M. Shilton
剧情：
A lone crimefighter battles the forces of evil with the help of an indestructible and artificially intelligent supercar.
导演：
/Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/弗兰克·米勒,罗伯特·罗德里格兹,昆汀·塔伦蒂诺
剧情：
影片改编自著名漫画大师弗兰克•米勒的经典同名漫画，由三个故事组成，都发生在虚拟的罪恶之城，这里，警察和暴徒已无分别，暴力摧毁一切，也保护一切。 故事一：罪城 容貌丑陋，脾气火爆的马福（米基•洛克 饰），遇上了金发美女歌蒂，一夜情给了马福从未有过的温暖。然而，醒来之后，马福发现躺在身边的歌蒂被谋杀，自己则面临着杀人凶手的指控。 马福的心被愤怒和复仇的火焰点燃，他在歌蒂的姐姐温蒂的帮助下，调查事实的真相，寻找杀害自己爱人的凶手...... 故事二：狙杀 迪怀特(克里夫•欧文 饰)以前是罪犯，整容后，他成了酒吧招待雪莉的男朋友，并且帮她教训纠缠不清的前男友，有暴力倾向的杰奇(本尼西奥•德尔托罗 饰)。 迪怀特跟踪杰奇一伙到了由妓女帮派统治的老城，杰奇不按规则办事，被妓女们杀死，之后，她们才发现，杰奇是警察，他的死，破坏了妓女们和警察之间的协议。迪怀特必须帮她们掩盖犯罪事实，并且保护她们的权利...... 故事三：黄杂种 哈迪根(布鲁斯•威利斯 饰)由于心脏病快退休了，在他警察生涯的最后一小时，哈迪接到情报，参议员的儿子罗杰绑架了11岁的少女南茜，罗杰是几起奸杀案的主要嫌疑人，落到他手里凶多吉少。 哈迪根单枪匹马的救出了南希，废掉了罗杰，自己也身受重伤。随后的八年，罗杰的参议员父亲，利用权势将他关在监狱中，逼他为罗杰顶罪，哈迪根一直没有屈服，而南希化名为科里迪娅的来信则是她生活中的唯一慰藉。 南希的来信突然中断了，这让哈迪根很不安，他不得不放弃反抗，以认罪来换取假释，寻找保护南希。他并不知道，一直在暗中跟踪他的怪物黄杂种，将让他和南希重新陷入危险之中......
