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导演：
/Riccardo Antonaroli
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Scared of life and lacking the courage to be himself, Ludovico lives hidden away in his grandmother's old apartment. One night, the wickedness of the world goes to visit him in the form of Jack, a boy who is Ludovico's age but has the opposite character: hard, determined, perhaps criminal. The forced cohabitation of two human beings who couldn't seem more different from one another turns into an initiation rite to adulthood, the discovery of their true and respective personalities. And when the harsh reality that is mercilessly stalking them appears to present the bill, they will have to face it, bolstered by a new awareness and unhoped-for courage.
导演：
/乔治·希顿
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这是一部戏剧性浓厚、演技出色的文艺片，不过格调稍嫌沉闷了些，曾获得最佳女主角、最佳改编剧本两项金像奖。描述一名酗酒的名歌星在医生与妻子的帮助下重新振作起来，东山再起的故事。 大制片家大卫塞茨尼克本来为其明星妻子珍妮佛琼丝量身订造了这部好戏，打算让她一尝影后的滋味，不料开拍前珍妮佛琼丝宣布怀孕，只好阵前易角，凯丽平空得到了这 个表现演技的好机会，乃不惜一切全力以赴，将自己明艳的外貌弄成脏兮兮的黄脸婆模样来配合角色。在片中，她是倒霉演员平克劳斯贝的妻子，一个胆小如鼠的乡下姑娘，一方面费心心机想使丈夫振作，另一方面却又和协助丈夫戒酒的年轻医生威兼荷顿产生出轨的感情，三角 习题使她们内心产生极大的矛盾。而凑巧在现实生活中，平克劳斯贝和威廉霍顿也正在全力追求凯丽，闹得难解难分，也许凯丽已分不清银幕上下之别，所以演来特别感情投入。使她以二十六岁的年龄击倒了不少资深前辈，成为当时奥斯卡影史上最年轻的影后。
导演：
/法兰提塞·维拉席
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In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
导演：
/斯尔奇安·卡拉诺维奇
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一个南斯拉夫女人悲惨而快乐的婚姻生活的写照：不幸的第一次婚姻、失去两个孩子并无法再生育、被丈夫赶出家里... 尽管经历了这么多的苦难和痛失， 偶而会变得有些迷信，但佩特里娅仍坚强地生活着。在埋葬她的第一个孩子时，佩特里娅和丈夫将一只活鸡一起葬在坟墓中，期望如此能令生活少一些痛苦，然而现实并不如愿...
导演：
/西蒙·威尔斯
剧情：
在一个宁静的夜晚，少年迈洛和妈妈发生争吵。自感言语过于伤人，迈洛决定向妈妈道歉，前看见黑暗中一道强光将妈妈虏去。他一路追赶，登上了那艘神秘的飞船，竟意外来到了万里之遥的火星。原来火星人都从土壤中长出，住在火星的雌性不知如何照顾孩子，因此发明了保姆机器人，并从地球上劫持她们相中的母亲，提取她的记忆和经验输入机器人的程序中。迈洛从躲藏在火星垃圾站附近的人类格里布口中得知，妈妈的记忆在提取后将忘记一切。在格里布和火星女孩葵的帮助下，迈洛展开了营救妈妈的不可能任务…… 本片根据插画师伯克利•布雷斯德（Berkeley Breathed）的原著改编。
导演：
/卡罗莉内·林克
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故事开始于1938年，即将爆发的战争阴影笼罩着每一个犹太人。为了避难，沃尔特（米勒·尼尼兹 Merab Ninidze 饰）带着妻子杰塔（茱莉安·柯勒 Juliane Köhler 饰）和女儿雷吉纳（莉·克卡 Lea Kurka 饰）远赴非洲大陆，希望能够在那里躲避战火，开始新的生活。 刚开始，恶劣的自然环境和完全不同的生活方式让杰塔感到十分不适，背负着巨大压力的她将怒火和怨气全部发泄在了丈夫身上，夫妻两人之间的关系因此变得岌岌可危。然而，随着时间的推移和接二连三发生的意外，杰塔渐渐习惯了充满了辛苦但也洋溢着幸福的生活，亦懂得了珍惜眼前人。而年幼的雷吉纳更是融入了异域文化中，还在当地结交了许多好友。战争结束了，一家人的去留成为了最大的问题。
导演：
/Kevin Mock
剧情：
After defeating the aliens and saving Earth, the Legends find themselves stranded in 1925 Odessa, Texas with a destroyed Waverider. Wanting to help fix things, Astra tries using her powers, unwanted attention from the town and that of the new Director of the Bureau of Investigation, J. Edgar Hoover, and a surprise no one expected. Realizing they need to escape, Sara and Ava create a distraction by going on a crime spree with Hoover hot on their tails. Meanwhile, Zari is finding it hard to get over Constantine, so Behrad suggests the only thing he knows that can help.
导演：
/김세성
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Lee Ha-yeon is the wife of the heir to Ilsin Group and she has it all: a fancy penthouse, a luxury car and everything else. Lee Ha-yeon gets discovered poisoned and dead in a hotel room. Investigations take place under secrecy and out of ears from the media. But the case is mysterious. No prints of the murderer is found in the hotel room. There are not signs of broken entry either. If it was suicide, then why did she kill herself? If it was murder, then why would anyone kill her? The people around her are suspects. Lee Ha-yeon had a distant sister named Lee Ha-jeong. She's a reporter of a magazine and she has a camera that's so precious. She gets involved with the investigation to unsolve the mystery to her sister's death. Then the shocking truths uncover...it turns out that Lee Ha-yeon had been having porn chats online. It's shocking to find out that the daughter-in-law of a powerful and wealthy plutocrat family has been doing this. Her porn videos were also going around. Then there are the statements from the men she met online that she'd been sexually involved with them several times. Lee Ha-yeon was a quiet lady during the day but a sexual one at night. However, Ha-jeong reveals everything one by one. She finds out that Jae-gyu had been pressurizing Ha-yeon and there's a dark shadow that's been trying to get rid of her. In the end, Ha-jeong stands in front of the dark shadow but there's nothing to protect her. Only her camera. Ha-jeong has to uncover the truth behind her sister's tragic death and put her own life on the line.
导演：
/雷德利·斯科特
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500年前，充满迷信色彩的西班牙，认为海洋的尽头有魔鬼守侯著，只有航海家哥伦布坚信，海洋的尽头是一片新土地，几经辛苦说服女皇资助冒险旅程的他终于发现新大陆，可惜贵族们都视这土地为猪肉，只有他愿意维持乐土的自然纯朴，终被奸人排拆，究竟现实与梦想的距离，会否动摇这位梦想家的坚持呢？ -幕后花絮 影片描写的是著名航海家哥伦布的航海故事，重点刻画的是哥伦布的社会性。以其子费尔南多的回忆的形式，对其颠沛流离的一生进行了追述。通过影片我们可以看到，作为一名航海冒险家，哥伦布绝对是成功的伟人；但若将他视作一个普通人，他又是一个可叹的失败者。影片生动地再现了哥伦布丰富多彩的社会生活经历，他那富有理想的心智和勇敢无畏的精神，还有那粗暴蛮横的坏脾气和贪婪攫取的性格。
导演：
/安东尼·阿斯奎斯
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Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He threatens the customer with an open razor and lands in gaol.
导演：
/史蒂芬·奎,狄莫瑞·奎
剧情：
动画大师奎氏兄弟第一次拍摄真人表演的故事长片 为幻想主义主题开拓了一个新的层面 特里·吉列姆称：三百年内最具视觉魅力且不遗幽默的电影，令我嫉妒” 简介：观众被片中幽暗阴森的迷宫与回廊、荒谬突兀的人物情节所震慑；特里·吉列姆(Terry Gilliam)更称此片是一部“最近三百年内我看到的最具视觉魅力且不遗幽默的电影，令我感到嫉妒”的作品。 在创作灵感来自晦涩文学或奇思怪想的作品同时，他们还拍摄了一系列音乐录影短片、广告和电视宣传片以及为歌剧担任舞台美术设计；值得一提的是，彼得·格林纳威的《一加一的故事》便是以奎氏兄弟为蓝本。
导演：
/贝特朗·布里叶
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对于音乐家雷米（帕特里克·迪瓦尔 Patrick Dewaere 饰）来说，日子变得越来越不好过，不仅仅是职业上的停滞不前，妻子一成不变的容颜和乏味的婚姻生活也让他几近抓狂。就在这个节骨眼上，妻子车祸身亡的消息让雷米感到震惊却又有一丝解脱，而妻子留下的14岁的继女玛丽安（阿里尔·贝西 Ariel Besse 饰）也成为了一个包袱。 玛丽安的生父想夺回玛丽安的抚养权，没想到，小小的玛丽安却更愿意和继父生活在一起。同一屋檐下，这对没有血缘关系的“父女”之间的情感变得朦胧而又暧昧。对于玛丽安的火热表白，雷米从最初的果断拒绝到之后的欲拒还迎，他能否守住伦理道德的最后一条底线呢？
导演：
/Rick Bota
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这部最新续集故事从五个年青的互联网游戏者，接到一个神秘的邀请开始，去参加一个名叫《地狱互联网》站点的特殊聚会，不过他们没有想到，那是一个恐怖的难以用言语表达的夜晚。。。全新特技、视觉效果，一个恐怖电影迷不能放过的片子。 这是一部全新而独特的Hellraiser系列最新篇，大部分原班人员继续上阵。和其它几集比较来说，表面看只是一出跟其它B级片没两样，同样洒狗血的电影，但Rick Bota在血和核突以外，还加上深入一点的人性探讨。前几集的故事主要跟家庭、人的欲望和恶行有关，结果令他们惨受地狱使者的骚扰，充满冷色调的美术设计，令Clive Barker所营造的世界，更见冷酷。
导演：
/柯蒂斯·汉森
剧情：
泰利（斯蒂夫·古根伯格 Steve Guttenberg 饰）是一名年轻有为的建筑师，私底下，他一直和老板的妻子西维亚（伊莎贝尔·于佩尔 Isabelle Huppert 饰）有一腿。这一天，泰利约西维亚来自己家中约会，正在两人享尽鱼水之欢时，西维亚发现卧室的后窗对面，一名女子惨遭歹徒强暴。 因为害怕自己和泰利的奸情败露，西维亚不同意报警，可没过多久，西维亚便惨遭杀害。不仅如此，泰利还成为了这起事件的主要嫌疑人。为了替情人报仇，同时也为了替自己洗清冤屈，泰利找到了事件的受害者丹尼斯（伊丽莎白·麦戈文 Elizabeth McGovern 饰），两人决定联手，将真正的凶手捉拿归案。
导演：
/特伦斯·戴维斯
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In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..
