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导演：
/Ian Toynton
剧情：
女博士布莱南是个刑侦检验专家，善于从受害者的遗骸中发现破桉线索。联邦调查局在发现肉体完全腐烂只剩下不可辨认的骸骨的受害人时，经常求助于博士和她的小组. Bones的创作灵感来源于法庭人类学家和长篇小说家Kathy Reichs的真实生活。主人公TEMPERANCE Brennan博士，是一名法庭人类学家，她为杰斐逊协会工作，并以写作小说为副业，因有着特殊的才能，能根据受害者的尸骨找到常人难以发现的线索。而被法院强制她协助警方侦破那些因尸体严重腐烂、烧毁或被破坏而使得普通的尸检方法无能为力的凶杀案件。 Brennnan在杰斐逊协会法医学实验室有着同样出色的才华的同事们，包括：喜欢泡帅哥的Angela Montenegro，她能用三维图象模拟再现原始犯罪现场。Brennan的助手Zack Addy，他的智商高得吓人，同时拿下了好几个博士头衔。Jack Hodgins是昆虫、孢子和矿石方面的专家，但却喜欢耍阴谋诡计。还有Brennan的老板，实验室主任Daniel Goodman博士。Brennan还经常要与特别探员Seeley Booth打交道，他曾是一名军队的狙击手，在破案时对科学和科学家并不信任。Brennan和Booth在工作和生活中经常发生摩擦，但戏剧性的是，不是冤家不碰头，两人之间最后竟奇妙地擦出了火花……by:m.yakubd.cc
导演：
/德克兰·奥布莱恩
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剧情：
人迹罕至的森林中，四个乘舟沿河漂流的年轻人被一名畸形的食人猎手袭击，食人狂用弓箭和陷阱将他们猎杀殆尽，只有一名名叫爱丽丝（Janet Montgomery 饰）的姑娘侥幸逃脱。几乎与此同时，西弗吉尼亚州的葛夫顿监狱中，狱警尼特（Tom Frederic 饰）和搭档接到了一项任务：将墨西哥裔犯人查韦斯（Tamer Hassan 饰）等人转移到另一所监狱。为了防止查韦斯的同伙于路劫车，监狱安排卧底乔装成犯人与查韦斯同行，然而意外还是发生了，囚车在荒凉的山路上被食人狂驾驶的车子撞下悬崖…… 囚犯们夺走枪支反客为主，尼特因为熟悉地形而担任向导，大难不死的爱丽丝出现在这支混合囚犯与狱警的队伍前面，她带来了食人狂的信息，夜色深锁的密林中，疯狂而又漫长的一夜刚刚才开始……
导演：
/温里希·科尔贝,Georg Fenady,西德尼·海斯,Harvey S. Laidman,Jeffrey Hayden,伯纳德·麦克埃弗蒂,Bob Bralver,查尔斯·贝尔,Charles Watson Sanford,Roy Campanella II,Gino Grimaldi,Gilbert M. Shilton
剧情：
A lone crimefighter battles the forces of evil with the help of an indestructible and artificially intelligent supercar.
导演：
/法布里斯·厄布埃
剧情：
文森特（法布里斯·厄布埃 Fabrice Eboué 饰）和苏菲（玛琳娜·佛伊丝 Marina Foïs 饰）是结婚多年的夫妻，两人共同经营着一家小小的肉店。肉店的生意并不是十分兴隆，与此同时，他们还要忍受素食主义者们时不时来这么一下子的“恐怖袭击”，再加上文森特和苏菲之间的感情早已经被时间消磨殆尽，终于，苏菲决定和文森特离婚。 这一天，夫妻两人驾车行驶在夜路上，意外的撞死了一名骑自行车的男子，文森特认出了该男子就是早先袭击肉铺的那群素食主义者之一，于是将他的尸体带回了肉店进行分割，哪知道第二天，苏菲竟然误打误撞的将被分割后的大腿肉做成了火腿切片卖给了顾客。让文森特没有想到的是，这异常美味的火腿切片大受顾客的好评，一传十十传百，很快肉店门口就排起了长龙。
导演：
/戈登·贺斯勒
主演：
剧情：
In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
导演：
/Alberto Negrin
剧情：
RED RINGS OF FEAR (ENIGMA ROSSO), 1978, 85 min. Director Alberto Negrin wraps up the SOLANGE trilogy in this giallo where more sexually precocious schoolgirls bite the dust. Fabio Testi is the police inspector on the murderer’s trail, and Christine Kaufmann is his girlfriend. Chock-full of red herrings, perverse twists, sleazy situations, outrageous dialogue and an out-of-left-field climax, punctuated by Riz Ortolani’s groovy score.
导演：
/Lamberto Bava
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剧情：
西柏林，一家新落成的电影院正在派发电影票，招揽观众。影院首映的是一部名为《魔鬼》的恐怖影片。年轻女孩绮丽儿（Natasha Hovey 纳塔莎•霍维 饰）对影片颇感兴趣，她邀请好友凯茜（Paola Cozzo 饰）一同逃课前往电影院。 途中她们遇到另一伙年轻人，其中一个女人将影片宣传用的面具戴在脸上，却不慎割伤了皮肤。这个不慎的闪失导致了无可挽回的大灾难，该女子变成全身发绿的恐怖恶魔，凡是被她抓伤或咬到的也会产生同样的变化。人们四散逃命，恐怖迅速蔓延。绮丽儿她们该如何逃出生天呢？
导演：
/R.D. Braunstein
剧情：
一晃眼数年过去，珍妮弗（莎拉·巴特勒 Sarah Butler 饰）却依然深陷之前的阴影之中无法自拔，惨不忍睹和回忆和梦魇纠缠着她，她唯有寻求心理医生的帮助。珍妮弗参加了一个女性互助小组，在那里，她结识了一名特立独行的新朋友马拉（Jennifer Landon 饰）。 马拉的一言一行影响和改变着珍妮弗，在互助小组中所听到的那一个个悲惨的故事亦深深震撼着珍妮弗。在马拉的带领之下，珍妮弗和她一起展开了针对男人的报复行动，起初只是威胁和恶作剧，之后却慢慢演变成为了彻底的暴力，在此期间，珍妮佛逐渐发现了内心里对于男性的仇恨。某日，马拉死了，死前受到了非人的折磨和虐待，珍妮弗怀疑这一切同她那身强体壮的前男友有关。
导演：
/路易吉·科齐
主演：
剧情：
Giorgio is a greedy adulterer who makes a deal with a serial killer (Michel Antoine) to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa.
导演：
/Anthony Cousins,Alexandra Barreto,Rachele Wiggins,杰德·谢帕德
剧情：
Scare Package II: Rad Chad’s Revenge immediately follows the events of the original with the survivors attending the funeral of “Rad Chad” Buckley, which quickly devolves into an elaborate series of death traps centered around Chad’s favorite films, forcing the guests to band together and use the rules of horror to survive the bloody game.
导演：
/Pin Kriengkraisakul
主演：
剧情：
Anyamanee傲慢却内心脆弱，以自我为中心。出生在重男轻女的家庭，使她长期压抑。有天遇见了为人正直善良、无私豁达的Guerkhun。Guerkhun准备给予Anyamanee温暖的爱。因为家庭成员包括兄弟Chanuch的去世，两个人的情路并不顺利。同时由于嫂子Pimrata，Guerkhun成为了嫌疑人。Pimrata是一个温柔甜美的女人，在她的生活中拥有完美的东西。她为离开前任嫁给Anyamanee的哥哥Chanuch而后悔，即使为时已晚，她也想和前任复合。
导演：
/Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/Álex de la Iglesia
主演：
剧情：
In a future world ruled by good-looking people, a terrorist group of mutants led by Ramon Yarritu kidnap the daughter of Orujo, a rich businessman, to claim for the rights of the ugly people. Escaping from the police in their spaceship, Ramon try to kill his gang in order to get all the ransom. The trip ends abruptly when they crash in Axturiax, the planet of the crazy miners where no woman lives
导演：
/艾尔文·拉考夫
剧情：
Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one. 91 Those who survive the ghost ship are better off dead!
