Le
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导演：
/Karen Arthur
主演：
剧情：
Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
导演：
/蒂姆·波顿
剧情：
经营着一家五金店的亚当（亚历克•鲍德温 Alec Baldwin 饰）与芭芭拉（吉娜•戴维斯 Geena Davis 饰）夫妻俩非常恩爱，两人虽然没有孩子，但把所有对彼此的爱都倾注在装扮自己的家上。这天夫妻俩出行时发生车祸，双双殒命。成为鬼魂的两夫妻不忍离开自己的家，但阴阳相隔他们只能眼睁睁看的自己的家中搬来了新主人。入住的迪兹与查尔斯一家将夫妻俩的房子大肆改造，亚当和芭芭拉想出闹鬼招数试图吓走迪兹一家却不起作用，反被迪兹喜爱呆在黑暗中的怪异女儿莉迪亚（薇诺娜•瑞德 Winona Ryder 饰）看破，做鬼也难得尊严。无计可施的夫妻俩按照亡灵手册指引，拜托流离于阴间主流之外的大法师“甲壳虫汁”（迈克尔•基顿 Michael Keaton 饰）帮助他们夺回自己的家……
导演：
/阿尔弗雷德·希区柯克
剧情：
年轻的马里恩·克兰（珍妮特·利 饰）在Phoenix工作，深受老板洛厄里（沃恩·泰勒 饰）信任。男友萨姆·卢米斯（约翰·加文 饰）在Fairvale经营一家五金店，因要替亡父还债又要支付前妻赡养费而无力再婚，只能借出差的机会偶尔来与马里恩幽会。马里恩对此感到不满，于是在周五下午趁机携四万美元公款驾车潜逃。可是马里恩的潜逃之路并不顺利：先是在出城的时候被洛厄里目击，周六一大早又被警察怀疑。花了七百美元以旧车换新车之后，马里恩继续忐忑地行驶。入夜后，天降大雨，视线模糊，无法行驶，马里恩只得将车泊入路边的贝茨汽车旅馆投宿。老板诺尔曼（安东尼·珀金斯 饰）十分友善，试图邀请马里恩到家里共进晚餐，可惜被凶恶的母亲粗暴阻止，只得将晚餐端至旅馆客厅。马里恩在客厅一边进餐一边与诺尔曼交谈，终于决定周日返回Phoenix。用餐完毕，马里恩回房沐浴。这时，一个老妇的身影突然出现在卫生间……
导演：
/沃伦·莱特
主演：
剧情：
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
导演：
/大卫·柯南伯格
剧情：
马克思（James Woods 饰）是一家小型电视台的台长，为提高收视率，马克思四处搜罗带有色情或暴力内容的剧集。马克思的下属哈兰盗用卫星信号，获取了一档名为影视场的节目，内容为写实粗糙的暴力虐待场面，马克思看过这套节目后无法忘怀，对其他剧集丧失了兴趣。电台主播尼奇（Deborah Harry 饰）与马克思相识不久，这名有受虐倾向的女子也被影视场吸引，奔赴节目可能的产地匹兹堡欲参与制作。马克思经人指点拜访影视场的创始人布莱恩教授却没有见到真人，教授寄来的以尼奇为主角的录像让马克思产生了幻觉，马克思再度拜访始知布莱恩早已被杀死，现在的影视场节目由惊人视力公司的巴里负责，马克思一步步落入了巴里设计好的圈套，在巴里与布莱恩两种力量间越陷越深…… 本片获1984年加拿大吉尼奖最佳导演奖。
导演：
/韦斯·克雷文
剧情：
为了庆祝自己17岁的生日，少女玛丽（Sandra Peabody 饰）和好友费莉丝（Lucy Grantham 饰）相约观看一个演唱会。二人准备搞点儿大麻寻求刺激，因此遇上青年朱尼尔（Marc Sheffler 饰），并随之返回他所在的公寓。 然而两个女孩却羊入虎口。朱尼尔的父亲克鲁格（David Hess 饰）是一个变态杀人犯，在弟弟弗莱德（Fred J. Lincoln 饰）和女友莎蒂（Jeramie Rain 饰）的协助下，克鲁格刚刚越狱逃遁此地。两个女孩受到无情凌辱和虐待。 次日，克鲁格一行绑架玛丽和费莉丝逃窜，汽车半路抛锚，却刚好停在玛丽家的门口。一连串血腥事件在所难免……
导演：
/布莱恩·德·帕尔玛
剧情：
30年代的芝加哥充满了混乱，黑道横行官商勾结，其中，要数掌握着私酒市场命脉的黑帮老大卡彭（罗伯特·德尼罗 Robert De Niro 饰）的势力最为强大。即使在这样黑暗的环境中，联邦探员纳斯（凯文·科斯特纳 Kevin Costner 饰）也依然怀抱着惩奸除恶的理想， 可是很快，现实便教会了他，在这个世界里，谁才是老大。 在老警探马龙（肖恩·康纳利 Sean Connery 饰）的帮助下，纳斯重拾了自信，他组织了一个专案小组，专门调查和打击卡彭的犯罪事业。在纳斯的努力下，小组的行动初显成效，可随之而来的，就是来自卡彭的威胁和迫害。组员被杀，马龙受伤，这一切的一切都不能使纳斯消沉，反而更加坚定了他除掉卡彭的决心，一场激烈的较量在正义和邪恶之间拉开了帷幕。
导演：
/Martijn Maria Smits
主演：
剧情：
本和女友婷卡以及他们年幼的女儿辛迪住在荷兰的乡村。本在游乐场里与他人起了争执，醉酒开车回家时发生了车祸，女友不幸丧生，本也因此被捕入狱。当他出狱回到家时，婷卡的父亲拒绝让他见辛迪，而辛迪也因许久未见本而不能辨认出自己的爸爸。婷卡的姐姐黛比一直试图缓解父女俩尴尬的关系，本最终也如愿得到和女儿独处的机会，并悄悄带着女儿离开了。
导演：
/克莱尔·斯坎伦
主演：
剧情：
艾莉森·珍妮、安妮·墨菲(《富家穷路》)、本·普拉特将主演婚礼喜剧[婚礼上我们讨厌的人](The People We Hate at the Wedding，暂译)。该片由克莱尔·斯坎伦(《初来乍到》)执导，《开心汉堡店》第二季编剧Lizzie molyneux-logelin、温迪·莫里纽克斯共同操刀剧本。该片根据格兰特·金德撰写的同名小说改编，有望成为另一个[四个婚礼和一个葬礼]。故事讲述一个不太和睦的家庭，因为一场婚礼被迫相聚，他们过去的隔阂一点点被放大，这些也正是这个家庭在重归于好的路上需要解决的问题。
导演：
/Michael Miller
剧情：
Fact-based story about a 1975 cover-up of a shooting by two white members of the Boston Tactical Unit. While on stakeout on a suspected getaway car used in a armed robbery, the two gunned down a black man who entered the car. The two claimed the man had a gun and they shot in self-defense. Police investigation decided it was a rightful shooting. The man"s widow knew her husband would not be carrying a weapon and became determined to prove her husband"s innocence. She hired a former cop who h...@m.yakutv.cc
导演：
/成龙,曾志伟
剧情：
伯爵矢志要将失散八百年的圣经所记载的用来对抗魔鬼的五件“上帝的武装”一一寻回，经过一番努力，他寻得包括亚洲飞鹰Jackie（成龙）在非洲土人手中夺得的“圣灵宝剑”等三件，而另外两件在一伙恐怖分子手中。 Jackie的朋友Alan（谭咏麟）的女友Laura（关之琳）在时装表演中遭僧侣打扮的恐怖分子绑架，对方期望用她换得所缺的“上帝的武装”。 Alan求助Jackie，Jackie以会从恐怖分子手中抢过来伯爵所缺的那两件“上帝的武装”作担保，从伯爵手中借出他所拥有的三件。Jackie、Alan以及伯爵的女儿西行欧洲，展开救人夺宝的行动。
导演：
/奥利佛·斯通
剧情：
朗（汤姆•克鲁斯 Tom 饰）自幼就是一个争强好胜的男孩，向往男子汉的生活。年轻的朗被总统那潘那番充满煽动性的越战演说彻底征服，一种挑战和为国牺牲的冲动在朗的内心渐渐滋长。一次摔跤比赛的失利，令一向要强的他毅然告别了恋人唐娜和大学生活，踏上了从军参战之路。 然而，来到了越南的朗并没有在这里找到向往已久的英雄气概，反而目睹一出出反人类的悲剧。朗的好友威尔逊也在一次混战中死于朗的子弹，不久，朗中弹瘫痪被送回了美国。 坐在轮椅上的朗仍然坚持着对美国发动的战争的信仰，但女友唐娜重遇了朗之后，痛心的认为朗的悲剧都是战争的错。噩梦缠绕着朗，朗去拜祭了战友威尔逊，反战呼声中，朗终于觉醒。
导演：
/J·李·汤普森
剧情：
此部动作冒险片，带有「印地安纳琼斯」系列电影的风格。洁西（莎朗史东 饰）的父亲是一名考古学家，在一次前往非洲的考古探险中，被一名土耳其人（约翰雷斯戴维斯 饰）与一名德国上校（赫伯隆姆 饰）绑架，他们俩企图从顽固的考古学家的口中，逼问出所罗门王宝藏的藏匿地点。为了找回失踪父亲的下落，洁西向冒险家艾伦（李察张伯伦 饰，）求助，于是两人启程前往未知的非洲大陆。接下来，他们要面对的不仅是凶猛的鳄鱼、狮子，还有一群心狠手辣的人类…此部带有异国风味的冒险电影，是动作片名导杰李汤姆逊的作品，他另有「六壮士」、「恐怖角」等代表作。
导演：
/西德尼·波拉克
剧情：
凯伦（梅丽尔·斯特里普 Meryl Streep 饰）是一个爱慕虚荣的富家女，为了得到一个男爵夫人的称号她离开故土丹麦远嫁东非肯尼亚，然而男爵夫人的称号并没有给凯伦带来美满的婚姻生活。幸运的是在那片广袤的土地上，凯伦可以经常外出打猎、探险，她渐渐的爱上了这片神奇的土地。 在一次打猎遇险时，凯伦邂逅了年青的英国贵族邓尼斯（罗伯特·雷德福 Robert Redford 饰）。在遭遇婚姻的破裂和丈夫出走之后，凯伦独立承担起经营庄园的任务，在劳动的过程中，凯伦渐渐的与种植园里的仆人们产生了深厚友谊，而她与邓尼斯的关系似乎也有了进展。然尔命运之神并没有从此让凯伦一帆风顺，一次大火让她不得不出卖庄园从而缓解经济的拮据，后来邓尼斯驾机意外身亡又一次给了她沉重的打击。在经历了生命的磨炼之后，凯伦最终告别了那片她洒下青春和热情的土地…… 该片在1986年的第58届奥斯卡上荣获了包括最佳影片、最佳导演、最佳改编剧本在内7项大奖。
导演：
/彼得·海姆斯
剧情：
《2001太空漫游》后9年，前国家航天委员会主任弗洛伊德博士（罗伊•谢德 Roy Scheider 饰）接受苏美合作计划，带领发现号航天站设计者科脑博士（约翰•利思戈 John Lithgow 饰）和HAL9000电脑的创始人钱德拉博士（鲍勃•巴拉班 Bob Balaban 饰）登录木星附近的苏联航空站，与苏联宇航员卡布珂（海伦•米伦 Helen Mirren 饰）等合作，空中接轨美国发现号航天站，调查九年前的事故原因，探索木卫二的神秘黑石，并查明宇航员大卫•伯曼（凯尔•杜拉 Keir Dullea 饰）缘何神秘失踪。然而任务执行尚未过半，美苏关系愈发紧张，战争一触即发；与此同时，大卫•伯曼竟突然现身对弗洛伊德博士发出神秘警告。 本片改编自亚瑟•克拉克的小说《2010太空漫游》，获第59界奥斯卡最佳艺术指导—布景，最佳服装设计，最佳视觉效果，最佳化妆和最佳声效五项提名。
