P
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导演：
/卡尼萨·坤宇
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多克瑞克暗恋她哥哥的女朋友帕姆。一天，她的哥哥和帕姆分手了。改编自魔鬼普莱诺的小说（Chao Planoy (เจ้าปลาน้อย)）《我们:我们的爱》(美国:รักของเรา) Dokrak has a secret crush on her brother's girlfriend, Pam. One day her brother and Pam break up. ~~ Adapted from the novel "Us: Our Love" (US : รักของเรา) by
导演：
/卡洛斯·塞德斯,克劳迪亚·平托
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Madrid, 1880. Elena Bianda is the most sought-after lady-in-waiting in the entire city. Despite her youth, more than 20 ladies have already had decent courtships and courtships under her tutelage. Her success lies in being rigid in morality with their families and sensitive to the concerns of the ladies. A complicated balance that Elena handles perfectly. She was born for it: seeing them successfully walk down the aisle is, quite simply, her whole life. All this changes when she arrives at the Mencía house and has to take care of 3 sisters.
导演：
/斯蒂夫·巴伦
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Robert Thorogood adapts his own novels alongside Lucia Haynes (“Vera”) and Julia Gilbert (“Midsomer Murders”), each of whom will write a two-episode murder mystery. Thorogood’s episodes will be an adaptation of his second novel, “Death Comes to Marlow” while Haynes and Gilbert are set to pen brand new stories.
导演：
/戚家基
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多年前，毛無邪曾經是風水玄學界的燦爛新星，通曉各門派的學問，甚至擁有召喚式神和與鬼神溝通的技能，是公認的天才。他風生水起恃才傲物不可一世，甚至跨口可以起死回生。後來毛無邪因貪念接下了黑道富豪一個不可能的任務，出蠱惑被揭穿後，更無意中打開了鬼門關，引致一百零八隻惡鬼夜行，闖進人間。毛無邪嘗試自殺但沒有勇氣，想重操故業可是已喪失了所有靈力，無力軀鬼辟邪，甚至連看羅庚命盤也出現讀寫障礙。為了生活，他只能靠開些風水班和替明星放生海鮮賺點錢，在外人眼中成了一個混飯吃的廢中。毛無邪注意到一連串離奇死亡的靈異事件都牽涉到罕見惡靈，而且越來越多無辜受害者…
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/内详
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Continuation of 2000's The Emperor's New Groove, showcasing Kuzco's attempts to graduate from his kingdom's school, and his former advisor Yzma's evil attempts to keep him from his goal.
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/内详
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Continuation of 2000's The Emperor's New Groove, showcasing Kuzco's attempts to graduate from his kingdom's school, and his former advisor Yzma's evil attempts to keep him from his goal.
导演：
/Sokyou Chea,Inrasothythep Neth
剧情：
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
