Ar
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导演:
/江·罗伯斯·拉纳
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讲述了一个寡妇亿万富翁瓦伦丁·埃斯波索和他的十个情妇为成为他新的合法妻子而拼命奋斗的故事。以上翻译结果来自有道神经网络翻译(YNMT)· 通用领域
导演:
/布拉德·特纳
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这一次,袭击将在纽约展开。经过第七季的努力,杰克(基弗·萨瑟兰 Kiefer Sutherland 饰)终于获得了总统的赦免,现在一身轻松的与女儿和孙女过着简单、轻松的幸福生活。可是这样的生活却没有持续多久,一名雇佣兵找上门来,希望杰克能回到重新组建的CTU,帮忙调查一场即将展开的恐怖阴谋。原来,一个中东国家的总统打算和泰勒总统签署一项联合声明,但是中东国家的反对派却极力想组织这次联合声明的签署,所以想刺杀这位总统。杰克不得不接受了这次任务,同时克洛伊(玛丽·莱恩·莱杰斯库 Mary Lynn Rajskub 饰)也被临时召集回来帮助杰克进行数据分析,但是已经身为人母,所以克洛伊无法集中精力全心帮助杰克,而杰克还要带着没有什么处理恐怖袭击经验的新人一同调查。面对全新的CTU,已经陌生的环境下,杰克还能顺利阻止袭击吗?
导演:
/Jon Cassar
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在经历了上一次的恐怖袭击之后,由于政府对CTU应对恐怖事件的解决方式不太满意,还是最终决定解散CTU。杰克·鲍尔(基弗·萨瑟兰 Kiefer Sutherland 饰)也因使用酷刑等非法手段来防止恐怖袭击,而受到审查。原本以为自己终将在监狱里度过余生,却因死而复生的前同事托尼(卡洛斯·博纳德 Carlos Bernard 饰)的出现,彻底打乱了杰克现有的生活。托尼希望杰克能与他一起,共同调查又一次在美国大路上展开的恐怖袭击。而随着调查的不断深入,杰克觉得身边的托尼越来越琢磨不透。杰克一直觉得托尼有什么事情没有对他说明白。由于新总统对杰克的信任,所以他们的调查之路虽然危机重重,但是开展得还算顺利。不过,最后杰克终于发现这次恐怖袭击的幕后策划者,原来是一直与他并肩作战的朋友托尼……
导演:
/Ian Hamilton,Mauricio Pardo
剧情:
“鲍勃汉堡店”的隔壁是一家带火葬场的殡仪馆;街道尽头是旅游码头;几个街区外是市属中学,Bob和Linda的孩子们就在那里读书;街对面是Bob的竞争对手JimmyPesto开设的披萨饼店,匹萨对汉堡的大战每天都在上演。鲍伯决定为早午餐和吉米.皮茨竞争,Belcher的孩子们帮助Fischoeder先生的弟弟躲避他。Bob Belcher在妻子和三个孩子的帮助下经营着家族餐馆「鲍勃汉堡店」。这是一家开了三代的小餐馆,规模不大,但是固定客人不少。Bob对汉堡、调味品和肋肉了如指掌,但是对客户服务和商业管理一窍不通。尽管他的柜台总是油腻腻的,店里总是声音嘈杂,食物偶尔质量不好,Bob坚信自己的汉堡「独具特色」,能够开创一个品牌。 Bob Belcher(H. Jon Benjamin配音)在妻子和三个孩子的帮助下经营着家族餐馆「鲍勃汉堡店」。这是一家开了三代的小餐馆,规模不大,但是固定客人不少。Bob对汉堡、调味品和肋肉了如指掌,但是对客户服务和商业管理一窍不通。尽管他的柜台总是油腻腻的,店里总是声音嘈杂,食物偶尔质量不好,Bob坚信自己的汉堡「独具特色」,能够开创一个品牌。尽管生意不忙,但Bob的家人总是到店里来帮忙。不管发生什么情况,Bob的妻子Linda(John Roberts配音)一直支持丈夫实现理想。大女儿Tina(Dan Mintz配音)只有13岁,满脑子都是不切实际的浪漫,没有一点社交经验。排行老二的孩子Gene(Eugene Mirman配音)很有音乐潜力,他在店里传递的笑话远比汉堡包多。年纪最轻的Louis(Kristen Schaal扮演)对老爸的汉堡生意最热心
导演:
/Tony Gennaro,伯纳德·德里曼
剧情:
这是 一家开了三代的小餐馆,规模不大,但是固定客人不少。Bob对汉堡、调味品和肋肉了如指掌,但是对客户服务和商业管理一窍不通。尽管他的柜台总是油腻腻的,店里总是声音嘈杂,食物偶尔质量不好,Bob坚信自己的汉堡「独具特色」,能够开创一个品牌。 尽管生意不忙,但Bob的家人总是到店里来帮忙。不管发生什么情况,Bob的妻子Linda(John Roberts配音)一直支持丈夫实现理想。大女儿Tina(Dan Mintz配音)只有13岁,满脑子都是不切实际的浪漫,没有一 [2] 点社交经验。排行老二的孩子Gene(Eugene Mirman配音)很有音乐潜力,他在店里传递的笑话远比汉堡包多。年纪最轻的Louise(Kristen Schaal扮演)对老爸的汉堡生意最热心。但是她过剩的精力和无法自控的幽默感,往往令她变成厨房里最碍手碍脚的人。 这部动画剧的场景非常丰富:「开心汉堡店」的隔壁是一家带火葬场的殡仪馆;街道尽头是旅游码头;几个街区外是市属中学,Bob和Linda的孩子们就在那里读书;街对面是Bob的竞争对手Jimmy Pesto开设的披萨饼店,匹萨对汉堡的大战每天都在上演
导演:
/劳拉·西塔雷拉
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A woman vanishes. Two men take to the road in search of her: they both love her. Why did she leave? Each one of them has his own suspicions, and hides them from the other one who—mysteriously—never truly becomes his rival. Neither is right—but is anyone? This sudden runaway becomes the hidden core of a number of fictions that the film delicately weaves together: the secret of the heart of another woman, lost as well, many years ago; the secret of the life of a village in the countryside, governed by a supernatural incident that nobody seems to perceive; the secret of the plains, which never ceases to spread and devour everything, like the shadows that invade the world after the twilight hour.
导演:
/米尔科·曼彻夫斯基
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在马其顿,战争中的波斯尼亚,东正教的一位年轻修士以沉默保护一位年轻女孩,这位阿尔巴尼亚女孩涉嫌杀害一位东正教徒。但其实只是误会。修士以自己的善良决定与女孩私奔。 在伦敦,一位摄影记者(凯特琳·卡特利吉 Katrin Cartlidge 饰)在餐馆与她的丈夫谈论感情变淡的问题,二人争吵激烈之时,一名种族主义者冲入餐馆开枪扫射。爱,在生死之间突然变得清晰。 一位离开好友的摄影记者(拉德·舍博德兹加 Rade Serbedzija 饰)从伦敦出发,回到16年没来的老家马其顿。这里有他的老朋友,他的东正教朋友们,还有与阿尔巴尼亚人的种族矛盾。摄影记者尝试通过和解的方式化解纷争,但是,这一切远没有他想象的那么简单。 “圆圈不是一个圆。”三段相互交错的故事,不同文化、宗教、民族的误会造成的悲剧。
导演:
/Hanns Walter Kornblum
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
导演:
/Arch Oboler
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Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, "Five" adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
导演:
/斯蒂夫·拉什
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Ronald Miller is tired of being a nerd, and makes a deal with one of the most popular girls in school to help him break into the "cool" clique. He offers her a thousand dollars to pretend to be moxia.cc his girlfriend for a month. It succeeds, but he soon learns that the price of popularity may be higher than he expected.
导演:
/Jens Ravn
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The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
导演:
/弗朗索瓦·特吕弗
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特吕弗的第一部彩色片,也是其作品中最富社會及政治意識的一部。在未來世界裡,書籍一概被禁止,讀書便是犯罪,所有書籍都要交出焚毀。消防員的任務不是滅火救人,而是焚書和捕捉讀書人。於是有一些愛書者,把書背熟,希望日後可以流傳,這些人稱為「書人」。男主角本是一個忠心的消防員,焚書是他的職責。有次認識了一個女孩,受到她的影響,漸漸改變了人生觀,發現了書本中原來充滿了靈性的世界。經過這種溫馨親切的心靈生活,使她不能再忍受冷酷無情的機械社會。最後,他偷閱書本的背叛行為被妻子告發,他與情人設法逃往另一個符合他們理想的美麗世界,在那裡有書籍的存在,重複人類真正的生活。 改編自美國作家雷·布烈伯里的科幻小說。
导演:
/Eyal Kantor
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Tom, a high school senior who is required by his father to find a new residence within 2 weeks, finds himself in a demanding relationship with a fashion photographer who is older than him, while secretly being in love with his close friend Gilad.
导演:
/爱德芒德·古尔丁
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茱蒂丝(贝蒂·戴维斯 Bette Davis 饰)是混迹在上流社交圈里的交际花,一次偶然中,她发现自己的脑袋里长了一个肿瘤,命不久矣。悲观而又倔强的茱蒂丝决定对自己所剩无多的人生放任自流,开始了夜夜笙歌的无度生活。 在一场派对上,茱蒂丝结识了脑科医生斯迪尔(乔治·布伦特 George Brent 饰),斯迪尔为茱蒂丝进行了脑科手术,成功的取出了肿瘤,与此同时,两人也坠入了情网之中。茱蒂丝和斯迪尔很快就携手步入了婚姻的殿堂,婚后的生活充满了幸福和快乐,直到有一天,茱蒂丝发现自己的肿瘤复发了。绝望之中,她恢复了从前放纵的生活,这令斯迪尔感到非常痛苦。
导演:
/Bradley King
剧情:
某座住宅区,负责公寓内各项维修事务的菲恩(Matt O'Leary 饰)和约瑟(George Finn 饰)是一对穷的叮当响的好基友。某天菲恩的女友凯莉(Danielle Panabaker 饰)来到他们的住处,当得知住在隔壁的贝先生已经很长时间没走出房门时,凯莉自告奋勇上门查看,结果却一脸错愕地回到二人面前。原来贝先生早已不见踪影,房间内一面墙贴满了以三个人为对象的拍立得照片,窗口则有一台奇怪的机器正对着菲恩和约瑟的房间。不久后他们发现,那台机器竟是可以拍摄到未来情景的照相机。他们发现了贝先生的尸体,然而因为照相机的原因秘藏了此事。 无意间拥有了窥视未来的手段,年轻人们的心不知不觉躁动起来……
导演:
/彼得·戴维斯
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本片是由哥伦比亚电影公司出资委任电视纪录片导演皮特•戴维斯(Peter Davis)拍摄的一部探讨美国为何在1959-1975年期间发动对越战争,越南人民的悲惨遭遇,以及美国人民对越战态度转变的纪录片。这是美国本土首次放映直接采访刻画越南平民惨境的影片,片中多次表现了美军将领的种族主义和美国政府对国内人民的无耻欺骗。电影于1974年在法国嘎纳电影节首映,随即便因内容的严重争议性被哥伦比亚公司搁置。制片人波特•施耐德(Bert Schneider)与亨利•兰格(Henry Lange)向哥伦比亚公司买回了版权,并终于1975年通过华纳公司在美国公映。 本片获1974年奥斯卡最佳纪录片奖,并被提名同年金球奖最佳纪录片。
导演:
/郭共达
剧情:
杰克(柯林·法瑞尔 Colin Farrell 饰)和卡雅(朱迪·特纳-史密斯 Jodie Turner-Smith 饰)收养了名叫美香的华裔小姑娘,为了美香能够接触属于自己种族的文化,杰克购买了仿生机器人杨(贾斯汀·闵 Justin H. Min 饰)。之后,杨成了美香最好也是最信赖的朋友,同时也成为了这个家庭里不可或缺的一份子。 随着时间的推移,米卡渐渐长大,而杨也因为零件老化等问题,机能发生了故障。杰克想要找人修好杨,但因为杨是一款“二手”的机器人,所以自然没有任何的售后保障。杰克通过特殊的手段获得了记录了杨自出厂以来全部记忆的内存条,在播放这些画面的过程中,杰克发现了杨的一些不为人知的记忆。
导演:
/约瑟夫·科辛斯基
剧情:
在一所由才华横溢、富有远见的史蒂夫·艾纳斯蒂(克里斯·海姆斯沃斯饰)管理的先进监狱里,囚犯们佩戴着一种通过外科手术连接的装置,通过该装置注射一定剂量改变心智的药物,以换取减刑。没有酒吧,没有牢房,也没有橙色囚衣。在“蜘蛛头”中,被监禁的志愿者可以自由地做自己。直到他们最终失去自我。有时候,他们还会变成更好的自己。需要放松?有一种药物可以治疗。不知所措?也有一种药物可以治疗。但当两个实验对象杰夫(迈尔斯·特勒饰)和丽姿(朱尼·斯莫利特饰)建立情谊后,他们的救赎之路跌宕起伏,因为艾纳斯蒂的实验开始完全突破自由意志的极限。 《蜘蛛头》改编自乔治·桑德斯的《纽约客》短篇小说,由约瑟夫·科辛斯基(《创:战纪 TRON》、《壮志凌云:独行侠》)执导,瑞特·里斯和保罗·韦尼克(《死侍》、《丧尸乐园》)担任编剧,是一部风格迥异、黑暗搞笑的心理惊悚片。