L
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导演：
/路易吉·科齐
主演：
剧情：
Giorgio is a greedy adulterer who makes a deal with a serial killer (Michel Antoine) to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa.
导演：
/达科·米特沃斯基,Aleksandar Popovski
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SUPERCOOL马其顿动作幻想片！ sometimes i think it's a shame that movies like this one don't get the exposure that they deserve - that very few people will get to enjoy them... but sometimes, i think that the lack of exposure is what makes movies like this one - if indie was mainstream it wouldn't have been indie, would it?... so, the best thing i could say about "Zbogum na 20 vek" is a that it's a great movie, but it's not for everyone. the story is rather controversial, the level of blood and gore on screen is rather high (it makes the US horror flicks from the '90s look like kindergarten cartoons) and the editing... well, it's so uneven, that it might induce vomiting... however, if you have the stomach to go over these things, chances are that you will love this film, because it is indeed full of heart. if you don't love it, watch it again... once you know what's happening in the movie it will be much easier for you to pick up all the small details that not only make the scenes look cooler, but also deeper (i have a theory that the whole movie could be seen through symbols only, but it's too long to write it down here)... none of my friends liked it at first, but after two or three viewings, they find it at least respectable if not outright brilliant... so, to cut things up, if you can find this movie, see it by all means. 9.5/10
导演：
/杰夫·布罗德史崔特
剧情：
After inheriting the family mortuary, a pyrophobic mortician accidentally exposes hundreds of un-cremated bodies to toxic medical waste. As the corpses re-animate, the mortician's inheritance-seeking younger brother unexpectantly shows up, stumbling upon a full zombie outbreak!
导演：
/乔治·A·罗梅罗
剧情：
在一场意外中，芭芭拉（朱迪思·欧迪 Judith O'Dea 饰）和哥哥遭到了丧尸的袭击，这些活死人个性凶残样貌可怖，在它们的脑袋里，只装了一件事情，那就是“吃”。受伤的哥哥不幸感染了病毒成为了丧尸中的一员，悲痛和恐惧之中，芭芭拉逃进了一间民宅内，在那里，她遇见了同样在此躲避丧尸的本（杜安·琼斯 Duane Jones 饰）。 藏在这间屋子里的并不止芭芭拉和本两人，汤姆（Keith Wayne 饰）、朱迪（Judith Ridley 饰）、哈里（Karl Hardman 饰）和海伦（Kyra Schon 饰）等人纷纷加入了避难的队伍，面对屋外越来越多的丧尸，众人知道，如果不能主动出击，那么只有死路一条。搜集仅有的武器，封锁门窗，在这一危急时刻，每一个人都在为了生存而战斗着。
导演：
/Anthony DiBlasi
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剧情：
厌倦了无聊的学业，奎德（肖恩·埃文斯 Shaun Evans 饰）、斯蒂芬·格雷斯（杰克逊·拉斯波恩 Jackson Rathbone 饰）及其女友谢丽尔·弗洛姆（汉娜·斯蒂恩 Hanne Steen 饰）合作进行一项探寻人类恐怖之源的研究。他们采访应征者，请他们讲述各自心中最恐惧的事情。与此同时，这三个人慢慢讲述了各自的心结。斯蒂芬的哥哥死于车祸，因此他对汽车和死亡有着天然的恐惧；谢丽尔的父亲在屠宰场工作，致使她对肉类心生抵触；奎德则在6岁时目睹了父母被破门而入的男子杀害的惨状，血腥的阴影时刻笼罩心头。 他们的研究逐渐接近尾声，但是奎德的情绪却变得越来越不稳定，他最终走向崩溃的边缘……
导演：
/Anthony Cousins,Alexandra Barreto,Rachele Wiggins,杰德·谢帕德
剧情：
Scare Package II: Rad Chad’s Revenge immediately follows the events of the original with the survivors attending the funeral of “Rad Chad” Buckley, which quickly devolves into an elaborate series of death traps centered around Chad’s favorite films, forcing the guests to band together and use the rules of horror to survive the bloody game.
导演：
/斯蒂芬·霍普金斯
剧情：
讲述吉米原在警局负责炸弹拆穿的工作。因为工作过于危险，他辞去工作改为任教于警察学校。然而没过多久接任他工作的同事却因炸弹爆炸而身亡。他怀疑这个炸弹乃是他熟悉的人所安装。当他深入调查之后发现，他过去在爱尔兰共和军的老师兼伙伴，当年因为他的告密而入狱，现在要来向他报仇了…… 影片由汤米·李·琼斯（《亡命天涯》）、福里斯特·惠特克（《末代独裁》）等诸多好莱坞明星助阵。 《零点爆破》片在处理爆破场面有两场最为吸引，爆车、爆船，也可谓达到大爆炸的感官刺激。确实，一班幕后精英确实花了不少心思设计，这点从影片不断营造气氛方面可以肯定。剧中刺激过瘾的地方，相信是爆炸前一刻的情节处理，插电话接驳线、开煤气炉等生活小节也在企图制造一种危机感，好让观众透不过气。在人物性格与铺排正邪斗法方面，《零点爆破》也下了不少工夫，务求故事说来合情合理，且讲述了一段不光彩的往事，令剧情走向多元化，对于一部刺激动作电影来说，尽管用上公式化的商业元素，但也强调了动作戏的基本要求。
导演：
/Pin Kriengkraisakul
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Anyamanee傲慢却内心脆弱，以自我为中心。出生在重男轻女的家庭，使她长期压抑。有天遇见了为人正直善良、无私豁达的Guerkhun。Guerkhun准备给予Anyamanee温暖的爱。因为家庭成员包括兄弟Chanuch的去世，两个人的情路并不顺利。同时由于嫂子Pimrata，Guerkhun成为了嫌疑人。Pimrata是一个温柔甜美的女人，在她的生活中拥有完美的东西。她为离开前任嫁给Anyamanee的哥哥Chanuch而后悔，即使为时已晚，她也想和前任复合。
导演：
/罗伯特·布列松
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剧情：
一个男孩因为向父母讨要零花钱失败，去当了自己的手表，却换回一张500元法郎的假钞。之后，这张假钞在很多人之间转手，最后落到了一个叫伊文（克里斯琴·佩蒂 Christian Patey 饰）的年轻人手中。伊文试着去餐馆花掉这张假钞，但被服务员发现了。警察认为他参与了假钞贩卖案而逮捕了他，但法官念他初犯，没有给他判刑。伊文释放之后，丢了工作。没有了钱，他只好和朋友去银行抢劫，却又一次栽在警察手里，被抓进监狱，被判刑三年…… 本片是布列松的最后一部作品，改编自托尔斯泰的短篇小说《伪息券》，曾获第36届戛纳电影节主竞赛单元最佳导演奖。
导演：
/Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/Herbert Wilcox
主演：
剧情：
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
导演：
/Álex de la Iglesia
主演：
剧情：
In a future world ruled by good-looking people, a terrorist group of mutants led by Ramon Yarritu kidnap the daughter of Orujo, a rich businessman, to claim for the rights of the ugly people. Escaping from the police in their spaceship, Ramon try to kill his gang in order to get all the ransom. The trip ends abruptly when they crash in Axturiax, the planet of the crazy miners where no woman lives
导演：
/杰夫·布罗德史崔特
剧情：
芭儿（布莱娜·布罗恩 Brianna Brown 饰）和强尼（肯·华德 Ken Ward 饰）驱车赶往家乡，去参加阿姨的葬礼。他们的车直接开到墓园，然而这里却空无一人，只有棺木停在墓穴的旁边。正当他们诧异之时，两个奇怪恐怖的男人袭击了准备电话求助的强尼，强尼吓得夺路而逃。芭儿继而发现，这两个人已变成吸血僵尸，连她的妈妈（Marcia Ann Burrs 饰）也成为他们中的一员。芭儿落荒逃跑，沿途的景象让她惊慌失措，似乎那久为归来的故乡已经变成充斥着恐怖僵尸的修罗场。路上，芭儿被瘾君子本（Joshua DesRoches 饰）搭救，暂时逃脱僵尸的攻击。但是她的恶梦并未就此结束，漫漫长夜仿佛没有尽头……
导演：
/费德里科·费里尼,路易·马勒,罗杰·瓦迪姆
剧情：
影片包含了罗杰·瓦迪姆、路易·马勒和费德里科·费里尼三位名导所拍摄的三个短片，内容天马行空，环环相扣。 《门泽哲斯坦》：康泰莎女伯爵（简·方达 Jane Fonda 饰）的所爱慕的对象竟然是一匹马！原来，她死去的情人的鬼魂附在了马的身上，引出了一段离奇的人马之恋。 《威廉·威尔逊》：威廉（阿兰·德龙 Alain Delon 饰）发现世间竟然真的有和自己长得一模一样的人，而那个人似乎整日徘徊在他的身边，每当威廉要干一些坏事时，那个人就会出现进行阻止。他真的存在吗？他这么做的意图又是什么呢？ 《该死的托比》：为了高额的片酬，托比（特伦斯·斯坦普 Terence Stamp 饰）踏上了前往罗马的旅途，在路上，他遇见了一个可爱的女孩，却想不到，这个女孩竟然是魔鬼的化身。
导演：
/山姆·雷米
剧情：
美国青年艾许（布鲁斯•坎贝尔 Bruce Campbell 饰）在和女友琳达（布丽切特•方达 Bridget Fonda 饰）度假时，偶然发现一本《死亡之书》。书中记载各种神秘的丧葬风俗以及招魂仪式，更为诡异恐怖的是，这本不应该存在于人间的书具有十分强大和邪恶的魔力。为与之斗争，艾许失去了女友和自己的右手，但最后还是体力不支，被《死亡之书》带到600年前的中世纪。他奇怪的穿着一度被骑士们当作间谍抓起来，经过一番波折，艾许决定帮国王打败《死亡之书》幻化出来的怪兽，这也是他回到现代社会的唯一办法…… 本片荣获1993年布鲁塞尔奇幻电影节金鸦奖、1993年葡萄牙奇幻电影节影评人奖、1994年美国科幻恐怖电影学院土星奖最佳恐怖片。
导演：
/艾尔文·拉考夫
剧情：
Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one. 91 Those who survive the ghost ship are better off dead!
导演：
/约翰·哈里斯
剧情：
美国阿巴拉契亚山脉的查图嘎国家公园岩洞群，朱诺（Natalie Jackson Mendoza 饰）、莎拉（Shauna Macdonald 饰）一行六人在此经历了一生中最恐怖的时刻，最终只有莎拉一人侥幸逃生。在此之后，警方派出大批搜救人员进山寻找遇难者的尸体以及可能的幸存者，但是最终却一无所获。女警官萝丝（Krysten Cummings 饰）负责询问莎拉失踪事件的始末，但是莎拉对过往发生的事情没有任何记忆。为了寻找幸存者和事实真相，萝丝带着莎拉再次来到岩洞群，并在此与搜救人员凯西（Anna Skellern 饰）和格雷格（Joshua Dallas 饰）等碰头。他们从废弃的矿井口进入岩洞，不久便发现贝丝等人的尸体。搜救人员意识到这不是简单的失踪事件，与此同时危险正向他们悄悄逼近……
