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导演:
/丹·皮察,米尔恰·韦罗尤
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影片分为两个不同的部分。第一部分由米尔恰·韦罗尤执导,描述了二十世纪初罗马尼亚一个寡妇的悲惨生活。第二部分由丹·皮察执导,讲的是一个婚礼上的新娘。 米尔恰·韦罗尤(1941年出生)和丹·皮察(1938年出生)是罗马尼亚最具独创性的电影制作人,他们一起制作了两部杰出的电影:《石婚》(1972)和《金魂》(1974)。毫无疑问,两部电影都是罗马尼亚有史以来最好的电影之一,在全世界受到了巨大的好评,被纽约现代艺术博物馆收藏。 《石婚》根据罗马尼亚作家Ion Agarbiceanu的小说改编,描写了上世纪初特兰西瓦尼亚乡村的生活状况。这些故事充满了一种深深的悲剧性的震撼,一种似乎无处不在的宿命感。所有这些都在令人难忘的摄影中被表达出来。毫不夸张地说,每一个镜头都是一件艺术品。 在第一部分中,女演员 Leopoldina Balanuta 的每一个动作、每一个眼神都充满了感性和智慧,她知道如何暗示多年的生活、希望和绝望的积累、固执的爱以及在沉默的斗篷下压抑的巨大痛苦。这些有力的镜头语言,只有第二部分的 Mircea Diaconu (逃兵) 眼中悲剧性的天真才能匹配。 两位导演中,米尔恰·韦罗尤喜欢充满沉思的冰冷凝结的风格,而丹·皮察在他的部分,则把它变成了一个充满活力的故事,有许多讽刺的时刻,富有表现力的人物,并在最后有一个痛苦的悲剧转折。 无论如何,《石婚》是一部值得一遍又一遍地观看的电影。每一遍,它似乎都增长了新的维度。
导演:
/玛利亚·施佩特
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Lynn (22) lives with her brother in Berlin. There she enjoys the advantages of family life, without really feeling involved in it. She does not have any precise aim in life, but manages to awaken the interest of many people with her direct and spontaneous character. Her boyfriend David is very different: he is entirely engrossed in his very disciplined swimming training for the world championships. David does not intend to allow himself to be distracted by the complicating factors of a relationship with Lynn. When Lynn, working behind the till of restaurant, meets the Japanese student Koji, everything gets more complicated. They can't exchange many words, but it is soon clear that their moments together mean a lot to both of them.
导演:
/理查德·索普
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美国人约翰-诺德利John Nordley是阿罗哈号The Aloha的船长,这是一艘停泊在英国贝茅斯港的帆船,他在这艘船上生活并进行私人包租。他经常违反英国法律,把船开到他的清单上没有列出的其他国家。有一天,客户安塞姆先生Mr. Anselm找上门,要求在不列颠群岛的东边航行一周,但他一上船就要求航行到荷兰的Maasvlakte,并向诺德利保证不会有任何非法行为。但这个请求直接把他自己和诺德利带入深渊,以至于引来几路人马要获得诺德利与安塞姆的秘密,大家都在刻意接近诺德利,他必须决定谁可以信任,谁不能信任。
导演:
/Clive Donner
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Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies (Donald Pleasence), an old derelict who has been fired from a menial job in a café. In time Aston offers him a job as caretaker of the house. Aston's brother, Mick (Alan Bates) - a taunting, quasi-sadist - harasses the derelict when his brother is away, countermanding his orders. Eventually Aston, himself irritated by the cantankerous old man, puts him out.
导演:
/依莱姆·克里莫夫
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A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
导演:
/Aleqsandre Rekhviashvili
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The film is set in southern Georgia, which until the end of XIX century was dominated by the Ottoman Empire. The tragic time to be born people of high strength of spirit, such as Antimoz Iverieli - the philosopher-educator. Having experienced in childhood cruelty and injustice, it becomes the path of serving others. Having been removed by the Turks in Romania, a hero at any cost wants to return home. However hard and long this way. Sentenced to death, Antimoz remains in the memory of his countrymen champion of justice.
导演:
/道格拉斯·塞克
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罗拉(拉娜·特纳 Lana Turner 饰)和苏西(桑德拉·狄 Sandra Dee 饰)是一对相依为命的母女。在工作中,罗拉是一位女强人,总是将她的大部分时间都投入到繁忙的职务中,生活里自然而然少了很多对于女儿的关注,久而久之,母女之间的隔阂越来越深。这感情的裂痕在她们都爱上了同一个男人之后,最终导致了悲剧。 安妮(朱安妮塔·摩尔 Juanita Moore 饰)是一名黑人女子,而她的女儿莎拉(苏珊·柯娜 Susan Kohner 饰)则是混血,莎拉一直以母亲的肤色为耻,这不断的伤害着安妮的感情。然而,母性的本能驱使着安妮一次又一次的原谅的莎拉,并且依然如故的爱着她。
导演:
/J. Lee Thompson
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根据真实案例改编,女主角原型来自Ruth Ellis,英国历史上最后一个被执行死刑的女人。 Mary 是一个美丽的金发少妇,有个爱她的丈夫。她在化妆品店做销售员,工作的原因认识了忧郁而英俊的青年Jim,二人坠入爱河,Mary离开了丈夫。但是不久之后Jim迷恋上了一个富婆而离开了她。Mray深爱恋人无法自拔,每天悲痛度日。除夕夜前夕Jim来找Mary,告诉她那个女人要离开他,他一定要去见他不然自己会死,Mary的痛苦留不住他的脚步,他答应除夕夜一定会回来Mary身边,但是Mary没有等到他,只等到了他自杀的噩耗。痛苦的Mary决定为自己的爱人复仇,她枪杀了自己的情敌。。。。。。。
导演:
/Valérie Mréjen,Bertrand Schefer
剧情:
Iris, seize ans, vit la fin de son adolescence dans une petite ville de province lorsqu'elle rencontre par hasard Jean, un photographe parisien d'une quarantaine d'années. Au fil des rendez-vous, leur relation se transforme en une amitié amoureuse qui bouleverse leurs vies.
导演:
/拉契得·波查拉
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This movie is also called "Dust of life" in English and was made by Alex Bouchareb in 1994. In 1975, 3 kids decide to escape a reeducation camp in the Vietnamese equatorial forest near Cambodia where the Amerasians are imprisoned, tortured both mentally and physically. Son, the hero is sent in that camp after her mother fails to find his father to send him away to America. Search the web for the title to find more information. You can find the poster of the movie on cineposters dot com. Kind of reminds me of Papillon or the Killing Fields though maybe a notch down in terms of realization... This movie is based on facts from the after war.
导演:
/阿尔弗雷德·希区柯克
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帕拉丁夫人(阿莉达·瓦莉 Alida Valli 饰)被控告杀害了自己的丈夫,她找来了名叫安东尼(格利高里·派克 Gregory Peck 饰)的知名律师为自己辩护。随着交往的深入,安东尼发现自己竟然渐渐地爱上了美艳的帕拉丁夫人,然而安东尼已经娶了单纯善良的妻子盖伊(安·托德 Ann Todd 饰),每每想到妻子的脸庞,安东尼的心里就感到格外内疚。 然而,对于帕拉丁夫人的迷恋战胜了安东尼的内疚感,一次偶然中,安东尼发现帕拉丁夫人身旁的仆人安德鲁(路易斯·乔丹 Louis Jourdan 饰)最有嫌疑,尽管并没有安德鲁就是凶手的确凿证据,但嫁祸于安德鲁的确是能够让帕拉丁夫人脱罪的最好方式。
导演:
/Gregory Rocco
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Following the death of his father, Lyle Bennett sets out on an extreme weight loss journey in the hopes of reaching health and happiness. His goal will push him past his physical limits and test the strength of his mental and emotional stability.
导演:
/保罗·塔维亚尼,维托里奥·塔维亚尼
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玛丝洛娃(史蒂芬妮雅·若卡 Stefania Rocca 饰)是一个天真善良而又单纯的农家女,一次偶然中,她邂逅了名为聂赫留朵夫(Timothy Peach 饰)的富家公子,并且深深地爱上了他。可是,聂赫留朵夫并不是真的爱玛丝洛娃,他诱奸了她,并且残忍的将其抛弃。 绝望和痛苦之中,走投无路的玛丝洛娃沦为了妓女,身心都受到了严重伤害的她开始依靠酒精和毒品来逃避现实麻醉自己。最终,玛丝洛娃触犯了法律,被关进了监狱。在法庭上,玛丝洛娃在一次和坐在陪审席上的聂赫留朵夫重逢了,良心折磨着聂赫留朵夫,他决定拯救玛丝洛娃并且同她结婚,可是,为了保全爱人的名誉,玛丝洛娃拒绝了他。
导演:
/Ben C. Lucas
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单一色调的八个游泳队员在同样单一色调的学校泳池破浪。 一对同母异父兄弟,大哥Zack是学校老大,他人脉广阔,在学校深受女生爱戴,不时发施号令, 要弟弟Darren代做化学家课;弟弟是典型电脑迷,时刻沉迷网络游戏及破解程式密码,弟弟不是一头乱发、佩带黑色大框架眼镜,以及衣衫不整以现代贬义称为的“宅男”,他是以兄长为校队游泳团队首领,成绩欠佳的游泳队员。爱接触阳光池水及精通电脑的男孩可谓文武兼备,他比不上哥哥的狡黠, 男人不坏,女人不爱,弟弟的木讷朴实不是女同学喜欢的类型,他遇见了倾心对象。 Xandrie的幼滑金丝、纯真笑容打动了Darren,他在哥哥搞的狂热派对找不到金发蓝衣美人,发放短讯联系,短句是只有年青网络族群才懂的文字,他在房间的监视器遍寻不获,遇到了意图借着酒精毒品弄得迷迷糊糊在电脑男房间胡天胡帝的男女,Darren挂心不知所在的Xandrie恐怕被男人下了药带到隐匿地方施暴,他害怕Xandrie遭遇 同一手段,他赶走了他们,是潜意识对抗利用酒及违禁粉末壮大胆子,麻醉常理,做出一发不可收拾劣行的校友。 单一色调的泳池竞赛选手不是八个,余下四个是校园欺凌的要角。
导演:
/Agnès Varda
剧情:
1984年七月, Varda 在 Avignon 的一棟養老院裡看到一個名為《活生生與人造的》(Le vivant et l'artificiel)的展覽。展覽場裡,藝術品與動物、人工心臟、發霉的牆壁混亂地共存著。視覺上的震憾讓她久久不能自己,於是她決定帶領我們,重回險地。我們看到一間間住宅,或空的、或滿的。隨著時間流逝,卻留下奇怪的痕跡。另外, Varda 也在這家養老院裡遇到了即將是《無法無家》裡的「女僕」 Yolande Moreau 和「老太太」 Marthe Jarnias 。 Varda 曰: 『在高速火車的搖晃下,我無法讓自己不去想–那些我的精神正試著去吸納的不協調的影像。一到巴黎,我立刻打電話給 Louis Bec 和 Bernard Faivre d'Arcier ,要求他們讓我去拍這個展覽,不是為了去理解它,而是為了從中汲取靈感。他們答應了。幾天之後,我們出發前往拍片。在回到 Avignon 的高速火車的搖晃下, Nurith Aviv 要求看我的大筆記,好知道他將要拍的是甚麼。筆記紙幾乎還是空白的,我們只看到一些標題:廚房、父母的房間、用餐、窗戶。所有的家庭生活都註記到了,但沒有一樣是準備好了的。整部影片完全是以即興的方式去拍的,沒有標記、沒有脈絡。我只不過是跟隨著因參觀現場而感受到自己真實的心臟跳動,和那些仍然令人感到溫暖的老人的存在。』 A. Varda,1993年, in Varda par Agnès, Ed. Cahiers du cinéma, 1994.