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导演：
/珍妮·帕顿
主演：
剧情：
We're transported back to the tropical island of Saint Marie, and this time with a new Detective Inspector in place - but will DI Mervin Wilson remain in the job for long? Following the recently cracked case of ‘who shot the Santas?’, along with the revelation that his estranged mother has passed away, Mervin is ready to get back home and leave the island for good. But when a case close to the hearts of those at the station presents itself, is he tempted to extend his stay? As Mervin continues to ruffle feathers, the police team pull together to solve some of the island’s most confounding cases yet.
导演：
/丹尼·麦克布莱德,乔迪·希尔,大卫·戈登·格林
剧情：
「我爆粗嗑药贪污嫖娼，但我知道我是个好牧师」 《布道家庭》聚焦以电视福音布道闻名于世的珎石家族，讲述他们叛逆贪婪却又不忘慈善事工的奇葩事迹。故事主角杰西·珎石自视为福音行当中特立独行之弟兄，以父亲伊莱·珎石的事工为基础，积极拓展更为摩登的当代受众群体。 珎石家族现任成员及有关人士： 伊莱·珎石 (Eli Gemstone, 约翰·古德曼 饰)，杰西的父亲 杰西·珎石 (Jesse Gemstone, 丹尼·麦克布赖德 饰) 朱迪·珎石 (Judy Gemstone, 艾迪·帕特森 饰)，杰西的妹妹 开尔文·珎石 (Kelvin Gemstone, 亚当·德万 饰)，杰西的幺弟 安珀·珎石 (Amber Gemstone, 卡西迪·弗里曼 饰)，杰西的妻子，前记者、现致力于教会事务 马丁·伊马里 (Martin Imari, 格雷格·阿兰·威廉姆斯 饰)，保守的肯尼亚男子，伊莱的得力助手 基夫·钱伯斯 (Keefe Chambers, 托尼·卡瓦莱罗 饰)，前撒旦崇拜者，得救于开尔文 BJ (蒂姆·博尔茨 饰)，朱迪的未婚夫 注：珎 (zhēn) 同“珍”，又喻贤才、善道、美德。
导演：
/Sokyou Chea,Inrasothythep Neth
剧情：
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
